Parallel Mothers (2021) Review: A Riveting Melodrama That Looks Inwards Upon the Horrors of the Past
Known as one of the finest Spanish filmmakers, Pedro Almodóvar, at the age of 72, in his new film, Parallel…
The Unknown Country [2022] ‘SXSW’ Review: A Roadtrip across People and their Anecdotes in the Search of Meaning
The identity of a country is manifested in the people it inhabits. People, who are mobile across the country’s dimensions,…
It Is In Us All [2022] ‘SXSW’ Review – A Beautifully Shot Assiduous Thriller
Director and Writer Antonia Campbell-Hughes explores violence, self-harm, and sexual gratifications, or the lack of it, in an ever so…
Linoleum [2022]: ‘SXSW’ Review – Jim Gaffigan, Rhea Seehorn Led Sci-Fi Film Is A Beautiful Looking Headscratcher
When we talk about genre-benders, we usually think about high concept films (or shows) with massive budgets that took the…
Spin Me Round [2022] ‘SXSW’ Review: Alison Brie Finds Love And A Sinister Plot In This Comedy Mystery
Severance (2006) is a British-German comedy horror film co-written and directed by Christopher Smith. It follows a group of people…
Belle Vie [2022]: ‘SBIFF’ Review – A charming snapshot of a restaurateur’s resilient efforts to stay afloat
Belle Vie (2022) Review: The pandemic was like a bag of bricks hitting everyone right where they live. If not…
Halo (Season 1) ‘SXSW’ Review: A Beacon Of Hope For Live-Action Adaptations Of Video Games
Earlier this year as well as last year, web series like The Cuphead Show! (2022), Arcane (2021), and Castlevania (2017-2021)…
The Locust (2022): ‘SXSW’ Review – A movie about the love of the art and its creators
The Locust (Malakh) follows Hanieh, a forty-year-old woman who wants to make her semi-autobiographical film. But she is broke and…