Tailgate [2021]: ‘NBFF’ Review – Dutch Thriller Offers Ample Chills If not Novelty
Tailgate (Bumperkleef) by the Dutch writer/director, Lodewijk Crijns, is quite the thriller that would satisfy the horror aficionados. Crijns manages…
Kingdom: Ashin of the North [2021] Netflix Review – An Entertaining Spin-Off and an Origin Story
Kingdom: Ashin of the North [2021] Netflix Review: Who Is the Flower Seller? I was disappointed with season 2 of…
Lorelei [2021] Review: A striking fairytale interconnected by fate and burning desires
Dreams are what serve as the fire to help anyone overcome their situation. It is this fire that draws people…
The Employer and the Employee [2021]: ‘Cannes’ Review – A Modest, Bleak Portrait of Class Privilege and Indifference
In Uruguayan filmmaker, Manuel Nieto Zas’s quietly effective third feature “The Employer and the Employee”, a Directors’ Fortnight selection at…
First Cow [2020] Review: Cerebral Food flick talks Cake & Capitalism
Some of the most magical films out there are related to the life of food. It takes a certain directorial…
Needle Drop in Martin Scorsese’s The Irishman
Needle Drop in Martin Scorsese’s The Irishman: There have been many examples of Martin Scorsese using the music he grew…
Limbo [2020] Review – An Uneven yet Captivating Dramedy about Asylum-Seekers
Scottish writer-director Ben Sharrock’s Limbo (2020) is a part deadpan comedy and part character study of an asylum-seeker. The refugees,…
Trust [2021] Review: A formulaic infidelity tale about rich, white Americans
This might be a personal qualm with the genre and not the right way to start a critic but I…