Last Year At Marienbad [1961] : Pygmalion and Galatea at Marienbad
Pygmalion and Galatea at Marienbad. Meaning of art in Alain Resnais’s “Last year at Marienbad” The 1960s were a very…
New Order [2020] Review – Another Level of Manipulation
The films with a direct political theme are not from today and for that very reason, they had to reinvent…
Aurora Borealis (2020) Review: Caught Within The Legacy of A Star
Aurora Borealis (2020) Review: A few weeks ago when actor Soumitra Chattopadhyay was hospitalized after he tested covid positive, an…
IRL [2020] Review – A clickbaity romance that floats but only occationally sticks
The world of dating has literally changed in the last couple of years. You can now click, type, and land…
Lost in Translation [2003] Review: A Doomed Romance
In the provinces of Japan, a pale pink flower – Cherry Blossom, blooms for mere two weeks and then withers…
The Fable [2019] Review: A genre-blurring film that is refreshingly unique
The Fable (ザ・ファブル) is a live-action adaptation of Katsuhisa Minami’s manga of the same name. The film follows its titular…
Kaali Khuhi [2020] Netflix Review- A Sober Exercise in Silliness
‘Kaali Khuhi’ is another addition, the second of the year following Anvita Dutt’s Bulbbul, to the new wave of Indian…
76 Days [2020] ‘DIFF’ Review – A miraculous snapshot of the current crisis told with unflinching flair
Before 2020 became the trash fire of a year it is currently today, there were three whole months when the…