Reading ‘Writer’ (2021) through a Marxist Lens
Reading Writer (2021) through a Marxist Lens: How do you define a State? A-State (government) is an institution that has…
The Boys: Diabolical [2022] ‘Prime Video’ Review – A Dazzling Display Of Gorgeous Animation And Delicious Gore
Superhero comic books precede comic book movies (obviously). So, superhero comic book tropes precede comic book movie tropes. Hence, comic…
Huda’s Salon [2022] Review: A tense, heavy-handed thriller that escalates uneasily
The compelling 10-minute opening sequence of Palestinian director Hany Abu-Assad’s eighth feature Huda’s Salon throws you off-guard from its seamless…
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Asking for It [2022] Review: An Extreme and Chaotic Representation of Female Vigilantism
The 21st century is defined by a growing consciousness around gender equality. Hitherto, most discussions about weighing males and females…
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Worst Roommate Ever [2022] ‘Netflix’ Review: Fictional Villains And Monsters Pale In Comparison To These Bad Roommates
The privileged few who live in metro cities, thereby having access to jobs and education without ever moving out of…
All Asghar Farhadi Movies Ranked from Worst to Best
Iranian cinema seems to enthuse itself. Even after decades of “New Wave” Iranian films first touching the Western shores, they…
No Exit [2022] Hulu Review: Taut, Gratifying Thriller Falls Apart In The Third Act
“Hell is other people!” – Jean-Paul Sartre, No Exit (Huis Clos). Sartre’s quote from his intensely existential play is, of…
Gangubai Kathiawadi [2022] Review: An Evocatively Feminist Film Having Some Narrative Pitfalls
It was Shyam Benegal’s 1983 film “Mandi” that since its release started the debate regarding the legalization of sex workers…