The Last Duel (2021) Review: Ridley Scott’s Foray into Revisionist Filmmaking
There’s an assuredness to the direction of The Last Duel (2021). In a film dealing with rape, its implications, and…
Snakehead (2021): A Bildungsroman, Fresh in Spirit but Old in Storytelling
We enter into the film and the United States of America with our protagonist, Sister Tse, an immigrant from China,…
The Motive [2021] Netflix Review: Israeli True Crime Documentary Series is an interesting but frustrating watch
The Motive (2021) Review: On Feb 22, 1986, in the Ein Karem Neighborhood of Jerusalem, a 14-year-old boy grabbed an…
Mathilukal and Vidheyan: How Mammootty Captures the Opposite Ends of Hyper-Masculinity with His Layered Performances
Mathilukal and Vidheyan: How Mammootty Captures the Opposite Ends of Hyper-Masculinity with His Layered Performances: In Mathilukal, Mammootty plays the…
Lamb [2021] Review – A movie coasting on its vibes and weirdness with nothing much to say
After finishing the movie, my first instinct was to go back and watch the trailer, because my curiosity had been…
Army Of Thieves [2021] Netflix Review – A Bland Prequel To Zack Snyder’s Army Of The Dead
Zack Snyder’s movies are never bland and boring. Everything from Dawn of the Dead (2004) to Justice League (2021) has…
Titane Movie Explained: Ending, Themes & Identity Crisis Analysed
Titane Movie Ending Explained & Themes Analyzed: ‘Titane’ at its best is provocative and thought-provoking. At its worst, the French…
House of Secrets [2021] ‘Netflix’ Review: Case Analysis Beyond the News Headlines
Netflix released the three-part mini docu-series ‘House of Secrets: The Burari Diaries’ in October 2021 and has taken the OTT…