Chhichhore (2019) Review: “Chhi”chhore
I don’t know how to analyze Chhichhore. I have seldom been appalled to this degree after watching a film. This…
MAMI 2019: ‘Bombay Rose’ & ‘Aamis’ among the 10 films selected for India Gold section
MAMI 2019: India’s biggest film festival for cinematic disruption and discovery has just announced its line-up for its prestigious India…
Arctic [2019] Review: Mads Mikkelsen At His Best
Championed by a truly sensational performance from Mads Mikkelsen who carries the entire film on his own without ever saying…
Ibrahim: A Fate To Define [2019] ‘TIFF’ Review: Was it a storm or was it an axe that brought the tree down?
“The world was whole before we walked over it. Now it’s a fraction, with its variable denominator tending to infinity…
Delphine [2019] ‘TIFF’ Review: The Purity of Childhood & The Arbitrariness That Follows
Whenever I have the chance to watch a short film, especially a very well made one like Delphine (2019), I…
10 Best Netflix Films & Shows in September 2019
After an eventful August with the release of new seasons of its original series such as GLOW, Mindhunter, 13 Reasons…
Lina From Lima (Lina de Lima) [2019]: ‘TIFF’ Review – A Mother’s World of Hurt
Nothing is more heartfelt than a mother doing everything for her child. In some cases, it leads to a heartbreak…
The Criminal Man (Borotmokmedi) [2019]: ‘Venice’ Review – Making A Murderer
Dmitry Mamuliya’s glacially paced, taut psychological thriller The Criminal Man (Borotmokmedi) thematically stems out of Fyodor Dostoevsky’s tranquil spirit. A slight, minimal…