I Lost My Body [2019] Netflix ‘MAMI’ Review: A leisurely fairy tale with Profound Meanings
Adapted from the book Happy Hand by Guillaume Laurant, I Lost My Body (J’ai perdu mon corps, Netflix Originals) is…
Jojo Rabbit [2019] ‘TIFF’ Review: Hop Along on this Journey
I barely knew anything about Jojo Rabbit going in, and wish I didn’t even know what I did. The film…
Saand ki Aankh [2019] ‘MAMI’ Review: It largely hits the bullseye
‘Saand ki Aankh‘ (Bullseye) is inspired by the real-life stories of the Tomar sisters-in-law i.e. Prakashi Tomar and Chandro Tomar….
Marriage Story (2019) ‘Venice’ review – The Melancholy of Love and the chaos of Divorce through Baumbach’s Lense
The male voice poetically says all the wonderful things he loves about his life partner Nicole (Scarlett Johansson). A series…
Portrait of a Lady on Fire (2019) Review – The Intimate Charm of an Aristocracy
Powerful waves strike a small boat approaching the magnificent rocky coast, northwestern France. Among the crowd of men sitting in…
Here’s why the cynical re-examination of Fight Club (1999) is lame
As the film remains the same, the culture surrounding it changes again and again, and now it seems critics are dismissing just like critics did when it was first released in 1999.
The Irishman (2019): MAMI Review – Scorsese’s Return to the Crime Genre is an Epic Cinematic Experience
Based on Charles Brandt’s 2004 memoir titled ‘I Heard you paint houses’, The Irishman (2019) is a biopic about the…
Interview with Deepak Venkatesha – Writer of “Laal Kaptaan”
With Laal Kaptaan’s release, Deepak Venkatesha is coming up with the period action drama. Having worked on the script in…