8 Thottakkal (8 Bullets) (2017) – A Flawed yet an Engaging Existential Thriller
Mysskin is my favorite film-maker in the contemporary Tamil cinema. There are certain things that don’t work for me in…
Personal Shopper (2016) Movie Review – An Imaginative Examination of Grief and Personal Identity
French film-maker Oliver Assayas has made divisive range of films in his three-plus decades film-making career. From the ‘Day for…
Tramps (2017) Movie Review: Too Broke To Love
With the growing popularity of romantic comedies that use redundant or childish humor to speak to the smartphone using young…
Kaul (A Calling) (2016) ‘Prime Video’ Review: A Visually Stunning, Thrilling Existential Odyssey
“The film exposes how afraid we are to even acknowledge questions we have always had, rooted in the deepest recesses…
Ship of Theseus (2012) Movie Review: A Collective Voyage
From the moment a young, blind, middle-eastern girl appears on screen photographing everyday life in the bylanes of Mumbai it…
‘Sunshine (2007)’ Exactly 10 Years Later
I was properly blown away by this first viewing of Sunshine, mesmerized by the simple outer-space CG that produced such mind-boggling shots
Days of Being Wild (1990) Movie Review: Fateful Longings and Poetic Withdrawals
WARNING: REVIEW CONTAINS SPOILERS It is palpably possible that one loses track of time amidst his own reckonings and distractions….
The Fate of the Furious (2017) Movie Review: An All-Out Assault On The Senses Destined To Leave A Bitter Taste
If this film is any indication, perhaps it’s time to start pumping the breaks a little bit and rethink the path that this franchise has taken. If you want to continue making these films into the double digits some urgent changes need to be made in order for the franchise to continue to have wheels.