The Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological ThrillersOctober 22, 2025 Adam Page
Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ October 18, 2025 Dan Flattery
The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
Essay Madonna, Myths, and Missteps: A Critique of ‘Devi aur Hero’ Manav October 16, 2025October 22, 2025
Essay One Battle After Another’s Fight in the Graveyard of the Western Charlie Gaskell October 15, 2025October 22, 2025
Essay Control, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948) Bella Madge October 15, 2025October 22, 2025
Column The Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological Thrillers Adam Page October 22, 2025October 22, 2025
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 18, 2025October 22, 2025
ColumnReading Beyond the Silences: What the Different Voices Tell us about Support in “Mrs. Chatterjee Vs. Norway”April 23, 2023 Arpita Chowdhury
EssayThe Eerie and Fantastical Exhibition of Sam Raimi’s The Evil Dead TrilogyApril 18, 2023 Aravind Nair
EssayOn Race Relations & Queerness in Todd Haynes’ Far From Heaven (2002)April 12, 2023 Jeffrey Davies
ColumnThe Dominance of the South Indian Films: Are We Witnessing a Fundamental Shift or A Passing Cycle?April 12, 2023 Arjun Niyogi
EssaySearching for the Local Übermencsch: Joel Grey in ‘Man on a Swing’ (1974)April 12, 2023 Vassilis Kroustallis
ColumnThe Magical Realism of Pan’s Labyrinth & The Redefinition of RealityApril 9, 2023 Beatrice Gangi
EssayRosemary’s Baby (1968): Rethinking the Monstrous Mother in Popular CultureMarch 30, 2023 Ankita Sen
ColumnRoy, Kelly & Rebecca Learn to Set Free From Their Past: A Lesson in Dealing With Our Past VersionsMarch 23, 2023 Akash Deshpande
EssayYou Only Live Once? How Creative Fatigue Plagued the End of the Bond Eras of Pierce Brosnan and Daniel CraigMarch 22, 2023 Joséphine des Aulnois
EssayCharting the Rise of ‘Richsploitation’: The Genre You Don’t Know You LoveMarch 21, 2023 Elliott Kendal
EssayWomen behind the Camera: Examining Space and Gender in Woman with a Movie Camera (2022)March 19, 2023 Krishnanunni Padinjassery
ColumnNate vs Ted Lasso: Evaluating the role of mentorship & leadership, and navigating its rootsMarch 16, 2023 Akash Deshpande
Essay50 Years of Nirmalyam (1973): Timeless, Introspective, and RadicalMarch 9, 2023 Krishnanunni Padinjassery
ColumnBardo, False Chronicle of a Handful of Truths (2022): A Visual Feast on Humanity’s Unsolvable ProblemsMarch 8, 2023 Pouya Aghelizadeh
Article · Essay Beginning (2020): Dissent Against the Logic of Patriarchal Order Levan Tskhovrebadze September 1, 2021
Article · Essay The Pied Piper of Corto Maltese and the Chaotic, Entertaining but Insightful The Suicide Squad (2021) Atreyo Palit September 17, 2021
Article · Essay A Study of Fragmentation in the Aftermath of World War II in Christian Petzold’s Phoenix (2014) Ahendrila Goswami August 24, 2021
Article · Essay Raw (2016) – Julia’s fascination with Human body and Cannibalism Sandeep Sreelekha July 10, 2024
Article · Essay · Prime Video Shershaah and Why the Formulaic Biopic Works Ankita Rathour February 13, 2022
Article · Essay Conflicting Resolutions and the Metaphor of the Aged People in Kieślowski’s Three Colors Trilogy Atreyo Palit September 17, 2021
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