Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese CinemaMay 3, 2026 Sree
Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarApril 25, 2026 Soumalya Chatterjee
‘Lemonade’ at 10: A Defiant, Politically Charged Album That Still Cuts Through April 25, 2026 Aja Haymore
Column Studying a ‘Non-Revolutionary’ in Satyajit Ray’s ‘Seemabaddha’ Damayanti Ghosh April 18, 2026April 19, 2026
Column · MUBI · Streaming Now The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World Damayanti Saha April 11, 2026April 12, 2026
Essay Dodecatheon in Cinema (or 12 gods, 12 movies) #1: Hermes in ‘Thief’ (1981) Guilherme Quireza April 10, 2026April 11, 2026
Column Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese Cinema Sree May 3, 2026May 4, 2026
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
Column · Prime Video · Streaming Now Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of War Soumalya Chatterjee April 25, 2026April 25, 2026
ColumnHow Netflix is Recreating the “Snyder Cut” Phenomenon with Rebel Moon? December 30, 2023 Adil Rahim Hyder
ColumnPlacing “A Girl Walks Home Alone At Night” within “The Girls of Revolution Street” Protests of IranDecember 24, 2023 Martha Bird
ColumnOn Healing and Coping: How ‘Mysterious Skin’ Succeeds in Portraying Abuse StoriesDecember 24, 2023 Federica Giampaolo
ColumnWhy Punch-Drunk Love (2002) is the Greatest Romcom of All Time? December 14, 2023 Ritesh Sharma
ColumnThe Success of “Animal” Speaks to the Broader Pervasiveness That’s Sheathed Over The National Conscience December 14, 2023 Aryan Vyas
EssayTranscendental Style as An Idea Of Being in the Filmography of Carlos Reygadas December 11, 2023 Maria Vatcharadze
Column“Killers of the Flower Moon” and the Politics of Martin Scorsese November 21, 2023 Aadesh Gupta
Column · Netflix · Streaming Now“The Killer” Is A Remarkably Self-Aware Cinema Which Many of You Are Perceiving WrongNovember 16, 2023 Rohitavra Majumdar
EssayPrem Pujari (1970) – Complicity of Dev Anand’s Stardom in the Construction of Toxic Nationalism and Patriarchal RulesNovember 8, 2023 Nikhil Sanghotra
Column · JioHotstar · Streaming NowA Journey of Letting Go in Soumyak Kanti DeBiswas’ ‘The Daughter’October 31, 2023 Shivani Muralikrishna
ColumnMagical Realism, Family and the Big Screen: Lessons from Two Great MoviesOctober 31, 2023 Joséphine des Aulnois
Column The Stars of Aamir Khan: A Comparative Reflection on ‘Taare Zameen Par’ and ‘Sitaare Zameen Par’ Kalpa Jyoti Bhuyan July 10, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas August 30, 2025
Article Bricks, Vines, and Bulletproof Ground: How Sergey Doronin Builds Green Worlds for Multimillion-Dollar Series Jerry Horne July 19, 2025
Column E.T. The Extra-Terrestrial (1982): A Visionary Filmmaker’s Journey of Reconciliation Through Cinema Jack Keating July 2, 2025
Column Beyond the Azure: Re-watching Ang Lee’s ‘Life of Pi’ Through a Decade of Discovery Helly Malviya July 1, 2025
Column 5 Reasons Why an Arnold Schwarzenegger Cult Classic Outplayed ‘Mickey 17’? Gregory Austin July 1, 2025
