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Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
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ColumnHow the Depiction of Trauma Humanizes One Killer and Villainizes the Other in ‘Por Thozhil’?August 25, 2023 Pramila Tripathi
Column Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the Silenced Ishani Routh June 17, 2025
Column When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’ Ajay Rahul Raja June 17, 2025
Essay The Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece Vaishnavi S June 24, 2025
Column Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find Out Ayan Dawn June 15, 2025
Column Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (2020) Sahil June 20, 2025
Article No Studio? No Problem. How Intizar Gasimov Turned Scrappy Filmmaking into Global Impact Jerry Horne June 26, 2025
Essay Popular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic Tropes Santosh Kumar Mamgain August 4, 2025
