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Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
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ColumnGame of Thrones vs. House of the Dragon: Comparing the Iconic Fantasy SeriesApril 2, 2024 High on Films
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ColumnSai Paranjpye’s ‘Katha’ tells us that inherent goodness doesn’t win the race anymoreMarch 17, 2024 Shikhar Verma
ColumnDenial of Meaninglessness Work and the Embarrassment of Lethargy: Why Life is Dull in Roy Andersson’s ‘World of Glory’?March 16, 2024 Pritha Banerjee
ColumnThe Begetter of Movement: The Case of Sudha’s Husband in ‘Ijaazat’ (1987)March 13, 2024 Damayanti Ghosh
Column From Muddy Skirts to Clenched Hands: 20 Years of ‘Pride & Prejudice’ (2005) Sree August 16, 2025
Column Cinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Paris Naman Kumar August 16, 2025
Column The Return of ‘Chaotic Women’ in Indian Independent Cinema Bipasha Bhattacharyya August 15, 2025
Essay The Rajinikanth Effect: How Thalaivar’s Meteoric Charm Forged A Cultural Phenomenon Anju Devadas August 30, 2025
Column The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain September 9, 2025
Essay Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema Anju Devadas August 30, 2025
