Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese CinemaMay 3, 2026 Sree
Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarApril 25, 2026 Soumalya Chatterjee
‘Lemonade’ at 10: A Defiant, Politically Charged Album That Still Cuts Through April 25, 2026 Aja Haymore
Column Studying a ‘Non-Revolutionary’ in Satyajit Ray’s ‘Seemabaddha’ Damayanti Ghosh April 18, 2026April 19, 2026
Column · MUBI · Streaming Now The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World Damayanti Saha April 11, 2026April 12, 2026
Essay Dodecatheon in Cinema (or 12 gods, 12 movies) #1: Hermes in ‘Thief’ (1981) Guilherme Quireza April 10, 2026April 11, 2026
Column Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese Cinema Sree May 3, 2026May 4, 2026
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
Column · Prime Video · Streaming Now Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of War Soumalya Chatterjee April 25, 2026April 25, 2026
Article Original vs. Remake: What’s the difference between the two versions of ‘White Men Can’t Jump’? Shikhar Verma May 25, 2023
Column An Analysis Of Preeti’s Character Arc In Purab Aur Paschim (1970) Upasana Dandona May 24, 2023
Article Will the Post-Credit Scenes in Ant-Man and the Wasp: Quantumania hit back at Marvel Studios’ plans? Shikhar Verma May 22, 2023
Essay The Psychology Behind Our Love for True Crime Documentaries: Exploring the Fascination Aravind Nair July 14, 2023
Article Is ‘Queen Cleopatra’ racist, inaccurate, controversial, or just groundbreaking?: Everything We Know About the Netflix Docuseries Shikhar Verma May 21, 2023
Essay · Fan Blog Why Carrie Fisher Was Such An Icon On And Off The Big Screen Jerry Horne July 19, 2023
Essay Succession: How “America Decides” Deconstructs Corporatocracy With A Waking Nightmare Aryan Vyas May 19, 2023