The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema July 31, 2025 Anju Devadas
Why do all the Contemporary Villains Sound Like They’ve Read Camus? July 30, 2025 Bipasha Bhattacharyya
Column Of Guns and Guilt: The Postmodern Antihero and His Mirror Subhashree Paul July 30, 2025July 30, 2025
Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhan’s Pokkuveyil (1982, Twilight) Rugmini Dinu July 30, 2025July 30, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas July 28, 2025August 3, 2025
Column · Featured The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain August 3, 2025August 3, 2025
Column Why do all the Contemporary Villains Sound Like They’ve Read Camus? Bipasha Bhattacharyya July 30, 2025July 30, 2025
Essay · FeaturedNeocolonial Anxieties in Bong Joon-ho’s ‘The Host’ (2006)August 2, 2025 Shahim Sheikh
EssayBeyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema July 31, 2025 Anju Devadas
EssayHaunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985)July 28, 2025 Anju Devadas
Essay · FeaturedLolita’s Daughters: Innocence, Eroticism, And Cinematic Obsession With The NymphetJuly 19, 2025 Anju Devadas
EssayThe Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975)July 16, 2025 Krishnanunni Padinjassery
EssayFragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian CinemaJuly 7, 2025 Anju Devadas
EssayDestination Moon at Seventy-Five: Reassessing a Pioneering Vision of Space, Science, and EnterpriseJune 28, 2025 Andrew Kidd
EssayThe French Dispatch: or All Great Beauties Withhold Their Deepest Secrets June 28, 2025 Hector Levya
EssayFrom A-Listers to Crew Women, How Hindi Film Industry’s Feminism Rings Hollow Without Basic Dignity June 22, 2025 Sakshi Salil Chavan
The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future
Essay · Featured Neocolonial Anxieties in Bong Joon-ho’s ‘The Host’ (2006) Shahim Sheikh August 2, 2025
Essay Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema Anju Devadas July 31, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas August 3, 2025
Essay · Featured Lolita’s Daughters: Innocence, Eroticism, And Cinematic Obsession With The Nymphet Anju Devadas July 26, 2025
Essay The Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975) Krishnanunni Padinjassery July 16, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas July 10, 2025
Essay Destination Moon at Seventy-Five: Reassessing a Pioneering Vision of Space, Science, and Enterprise Andrew Kidd June 29, 2025
Essay The French Dispatch: or All Great Beauties Withhold Their Deepest Secrets Hector Levya July 4, 2025
Essay From A-Listers to Crew Women, How Hindi Film Industry’s Feminism Rings Hollow Without Basic Dignity Sakshi Salil Chavan June 22, 2025
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