‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To FailMarch 31, 2026 Shivam Pota
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands CertaintyMarch 31, 2026 Mukulika Batabyal
What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
Essay Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas Sree March 23, 2026March 24, 2026
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
Column · Netflix · Streaming Now Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty Mukulika Batabyal March 31, 2026April 1, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To FailMarch 31, 2026 Shivam Pota
Column · Netflix · Streaming NowHorror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands CertaintyMarch 31, 2026 Mukulika Batabyal
EssayWhat The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Column‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror FilmMarch 28, 2026 Akash Deshpande
ColumnHow ‘Father Mother Sister Brother’ Finds Intimacy in DistanceMarch 24, 2026 Bipasha Bhattacharyya
EssayApu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas March 23, 2026 Sree
ColumnWhat Lady Bird Teaches Us About the Cost of Economic Class and Independence?March 20, 2026 Puja Sinha
ColumnA Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary IndiaMarch 17, 2026 Soumalya Chatterjee
Essay“What’s Done is Done”: The Shift from Ambition to Numbness in 2015’s MacbethMarch 17, 2026 Adam Page
EssayThe Messianic Call to Raw Being: A Cross-Cultural Reading of Pier Paolo Pasolini’s ‘Teorema’ (‘Theorem,’ 1968) and C.P. Padmakumar’s ‘Sammohanam’ (‘Enchantment,’ 1994) March 14, 2026 Jubin Abraham
EssayThe Politics of Love in a Metropolitan Cityscape through Montu Pilot (TV Series 2019)March 11, 2026 Bipasha Bhattacharyya
ColumnWuthering Heights on Film: How Adaptations Repeatedly Lose the Dark Heart of Emily Brontë’s NovelMarch 10, 2026 Shivangi Thakur
EssayEternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota April 1, 2026
Column · Netflix · Streaming Now Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty Mukulika Batabyal April 1, 2026
Essay What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India Bipasha Bhattacharyya March 28, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026
Essay Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas Sree March 24, 2026
Article How the Cosmere Adaptations Can Define the Next Generation of Fantasy & Sci-Fi Film and TV Ollie Wheaton March 22, 2026
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 23, 2026
