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Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema July 31, 2025 Anju Devadas
Why do all the Contemporary Villains Sound Like They’ve Read Camus? July 30, 2025 Bipasha Bhattacharyya
Column Of Guns and Guilt: The Postmodern Antihero and His Mirror Subhashree Paul July 30, 2025July 30, 2025
Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhan’s Pokkuveyil (1982, Twilight) Rugmini Dinu July 30, 2025July 30, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas July 28, 2025August 3, 2025
Column · Featured The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain August 3, 2025August 3, 2025
Column Why do all the Contemporary Villains Sound Like They’ve Read Camus? Bipasha Bhattacharyya July 30, 2025July 30, 2025
EssayI Speak in Three Languages, Write in Two, Love in One: ‘Lootera’ and Romance in Vernacular March 15, 2025 Damayanti Ghosh
EssaySexual Violence and the Objectification of Women in Hindi CinemaFebruary 18, 2025 Santosh Kumar Mamgain
EssayRobert Eggers’ ‘Nosferatu’ (2024): Changes and Continuity in Vampiric TraditionsJanuary 20, 2025 Kalpa Jyoti Bhuyan
EssaySex, Power, and Representation: Analyzing Sean Baker’s ‘Anora’ Through Feminist and Auteur LensesDecember 23, 2024 Ritesh Sharma
EssayWatchmen: The Often-Overlooked Differences Between Zack Snyder’s Movie and Alan Moore’s Graphic NovelDecember 3, 2024 Mohan Kumar
Essay‘Girls Will Be Girls’ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on TheirsOctober 25, 2024 Sakshi Salil Chavan
Essay‘Melancholia’ (2011) and the End of Everything: Exploring Depression, Despair, and the Human ConditionOctober 1, 2024 Mohan Kumar
The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future
Essay The Art Vs. Artist Discourse: Reassesssing The “separation” Paradigm In Film Anju Devadas April 4, 2025
Essay Why Women Centric Films in Hindi Cinema are not Necessarily Feminist Films? Santosh Kumar Mamgain March 20, 2025
Essay I Speak in Three Languages, Write in Two, Love in One: ‘Lootera’ and Romance in Vernacular Damayanti Ghosh March 15, 2025
Essay Sexual Violence and the Objectification of Women in Hindi Cinema Santosh Kumar Mamgain March 8, 2025
Essay Robert Eggers’ ‘Nosferatu’ (2024): Changes and Continuity in Vampiric Traditions Kalpa Jyoti Bhuyan March 2, 2025
Essay Sex, Power, and Representation: Analyzing Sean Baker’s ‘Anora’ Through Feminist and Auteur Lenses Ritesh Sharma March 2, 2025
Essay Watchmen: The Often-Overlooked Differences Between Zack Snyder’s Movie and Alan Moore’s Graphic Novel Mohan Kumar December 3, 2024
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