What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas March 23, 2026 Sree
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘If I Had Legs I’d Kick You’ and the Loneliness of Being a Mother Prapti Alam March 17, 2026March 19, 2026
Column A Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary India Soumalya Chatterjee March 17, 2026March 19, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column Treasure Planet, or the Refusal to Give Up on the Lost Guilherme Quireza March 26, 2026March 26, 2026
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
ColumnWhy do all the Contemporary Villains Sound Like They’ve Read Camus? July 30, 2025 Bipasha Bhattacharyya
ColumnThe Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindan’s Pokkuveyil (1982, Twilight)July 30, 2025 Rugmini Dinu
EssayHaunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985)July 28, 2025 Anju Devadas
ColumnThe Horror of the Unseen: How the 1999 Movie ‘The Blair Witch Project’ Redefined FearJuly 24, 2025 Em Stonham
ColumnThrough the Lens of Love and Longing: Revisiting Kieślowski’s ‘A Short Film About Love’July 21, 2025 Rugmini Dinu
Column‘The Ugly Stepsister’ (2025) and the Cost of Becoming ‘Beautiful Enough’July 21, 2025 Aja Haymore
ColumnWhen Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) July 20, 2025 Hannah John
ColumnHow Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ July 20, 2025 Gourab Saha
EssayLolita’s Daughters: Innocence, Eroticism, And Cinematic Obsession With The NymphetJuly 19, 2025 Anju Devadas
ColumnChanging Terrain of Cinema from India and Achal Mishra’s ‘Gamak Ghar’July 17, 2025 Anand Subhash Borse
EssayThe Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975)July 16, 2025 Krishnanunni Padinjassery
Column Strong Women, Strong Stories: How Female Characters Can Captivate Audiences Kay A. Oliver November 23, 2025
Article Is There a ‘Now You See Me 3’ (2025) End-Credits Scene? Should You Stay After the Movie? Naveed Zahir November 23, 2025
Article Did Kelly Brook Really Upset Ant & Dec Or Is It Just TV Mythology? Naveed Zahir November 23, 2025
Essay The Woman Who Wasn’t There: Her Memory, Her Geography, and the Ghost of Her, in the Cold War (2018) Bipasha Bhattacharyya November 14, 2025
Column The Magic and Meaning of ‘The Milagro Beanfield War (1988)’: Rediscovering Robert Redford’s Overlooked Masterpiece Kay A. Oliver November 14, 2025
