Between Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025)October 4, 2025 Rhea Raj Shinde
The Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global OrderOctober 3, 2025 Aryan Vyas
Summer of Superman: How James Gunn’s ‘Superman’ (2025) Reminds Us of The Man of Tomorrow’s PowerOctober 2, 2025 Ollie Wheaton
Column A Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’ Shivani Muralikrishna October 2, 2025October 3, 2025
Essay The Poetics of Broken Hearts: Intimacy and Identity in ‘Queer’ Kabir Deb September 26, 2025September 26, 2025
Column How Did Zubeen Garg Become the Heartbeat of Our Generation Kalpa Jyoti Bhuyan September 26, 2025September 26, 2025
Column ‘King & Conqueror’ and the Long Shadow of ‘Game of Thrones’ Ollie Wheaton October 9, 2025October 9, 2025
Column Who Owns Nature? ‘Jugnuma’ and the Politics of Ecological Memory Prerna Chatterjee October 9, 2025October 9, 2025
Column Between Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025) Rhea Raj Shinde October 4, 2025October 7, 2025
ColumnThe Perfect Intersectional Gay Romance in ‘God’s Own Country’November 20, 2024 Ayrton-Lewis Avery
ColumnUnpacking the Horror: Intriguing Theories Surrounding ‘Longlegs’ (2024)November 5, 2024 Soumyajyoti Kar
ColumnChildren of Men: The Dystopian Nightmare That Mirrors Our World TodayNovember 4, 2024 Mohan Kumar
ColumnThe American (Joika, 2024): Relentless Pursuit of Identity and Belonging in the World of BalletOctober 27, 2024 Shinji Alizeh Majumder
Essay‘Girls Will Be Girls’ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on TheirsOctober 25, 2024 Sakshi Salil Chavan
Column‘All We Imagine as Light’ (2024) and the Poetic Deconstruction of the ‘Indomitable Mumbai Spirit’ October 23, 2024 Akash Deshpande
ColumnFairy Folk is a Magical Realist Film that Explores Gender Roles, Sexuality, and MarriageOctober 22, 2024 Shivani Muralikrishna
ColumnWhy the Cult British Heist Film ‘The Italian Job’ is Still Worth Watching?October 15, 2024 Joséphine des Aulnois
ColumnWomen in an Unforgiving World: Exploring Body Horror and Identity in Coralie Fargeat’s ‘The Substance’October 8, 2024 Sakshi Salil Chavan
Essay‘Melancholia’ (2011) and the End of Everything: Exploring Depression, Despair, and the Human ConditionOctober 1, 2024 Mohan Kumar
ColumnThe Tragedy of Selina Kyle: Michelle Pfeiffer’s Powerful Performance in ‘Batman Returns’September 25, 2024 Megan Fisher
EssayMaddening Ambiguity & ‘The Heiress’ (1949): An Inspiration for Scorsese’s ‘Killers of the Flower Moon’ September 24, 2024 Emily Holland
The Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global Order
Essay ‘Elemental’ is a tender tale that cannot hide its Male Saviour Complex Deepshikha Deb August 17, 2023
Essay How ‘The Flash’ Resets DC Extended Universe To Make Way For Gunn’s DC Universe? Abhishek Sharma August 12, 2023
Essay Passages and the Cultural Problem of the Death of Sex Scenes in Film Virat Nehru August 7, 2023
Essay The Drive across “Mother-ing Up” & “Daughter-ing Down”: The Multitudinous Complexities of the Mother-Daughter Relationship in Lady Bird (2017) Sreetama Basu August 20, 2024
Essay How ‘Rocky Aur Rani Ki Prem Kahani’ Exudes Typical Grandiose of KJo’s Films While Subverting Societal Stereotypes Srilekha Mitra August 1, 2023
Essay A Long Time on the Epiphanic Road: Chihiro’s Coming of Age and Personal Growth in Spirited Away (2001) Sreetama Basu July 5, 2024
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