Halloween Special — The Cinematic History of the Witch: From Hag to HeroineOctober 31, 2025 Aja Haymore
Halloween Special — The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008)October 31, 2025 Christopher Rhoten
From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)October 29, 2025 Jubin Abraham
Column How Masaan (2015) Divorces Women’s Desire From Shame Kudrat Wadhwa October 29, 2025October 29, 2025
Essay Halloween Special — The Strange Thing About Johnsons, Hereditary, and Midsommar: An Analysis of Family Horror in Ari Aster’s Filmography Beatrice Gangi October 28, 2025October 31, 2025
Column Halloween Special — The Cinematic History of the Witch: From Hag to Heroine Aja Haymore October 31, 2025October 31, 2025
Column Halloween Special — The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008) Christopher Rhoten October 31, 2025October 31, 2025
Column From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978) Jubin Abraham October 29, 2025October 29, 2025
ColumnRelationships in a Small Town in Nuri Bilge Ceylan’s ‘Kasaba’ and ‘Clouds of May’January 19, 2025 Abirbhab Maitra
ColumnA Tribute to David Lynch: An Impenetrable Visionary Who Lit Up The Darkest Recesses of Our MindsJanuary 17, 2025 Julian Malandruccolo
ColumnWhen the Divine Order Embraces Sacred Chaos in Edward Berger’s ‘Conclave’January 14, 2025 Akhila Krishnan
ColumnThe Sweet Ache of Youth: On the Tangled Thrills of ‘Licorice Pizza’January 13, 2025 Tanay Shrotriy
ColumnA Poetic Portraiture of The Working-Class Women in Payal Kapadia’s ‘All We Imagine as Light’January 8, 2025 Soumalya Chatterjee
ColumnStreams of Consequence: Ryusuke Hamaguchi’s Meditation on the Environmental Loss in ‘Evil Does Not Exist’January 6, 2025 Shubham Sharma
ColumnWhy ‘Blink Twice’ (2024) is a Bold but Flawed Exploration of Power, Revenge, and Feminism? January 4, 2025 Ritesh Sharma
ColumnCalling the Spade on Motherhood: 7 Watches and a Read to Cope With the Realities of Being a New MotherJanuary 2, 2025 Nikita Naiknavare
ColumnTangerine (2015): Celebrate Christmas with this Not-So-Typical Holiday FlickDecember 25, 2024 Ritesh Sharma
EssaySex, Power, and Representation: Analyzing Sean Baker’s ‘Anora’ Through Feminist and Auteur LensesDecember 23, 2024 Ritesh Sharma
ColumnA Half-Hearted Endeavor: The Struggle to Portray the Kaleidoscope of Realism in Netflix’s ‘One Hundred Years of Solitude’December 23, 2024 Soumalya Chatterjee
Column26 years of The Blair Witch Project: A Convention-Breaker that Banked on Fear that Crawled into Your Psyche December 20, 2024 Divy Tripathi
ColumnDirge of Resistance: Unveiling Patriarchy and Power in ‘Mirch Masala’ (1987)December 13, 2024 Soumalya Chatterjee
EssayWatchmen: The Often-Overlooked Differences Between Zack Snyder’s Movie and Alan Moore’s Graphic NovelDecember 3, 2024 Mohan Kumar
From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)
Essay Revelation as Paradox: Oppenheimer and the Criticality of Scientific Reason Shaswata Ray August 21, 2024
Essay Where the Crawdads Sing (2022): Embark On A Scenic Trip Into The Marshland With Kya Poonam Vaze August 31, 2023
Essay American Prometheus: The Triumph of Oppenheimer’s (2023) Screenplay is in Exposing the Failure of Dr. Oppenheimer Ashwani Kumar March 11, 2024
Essay ‘Elemental’ is a tender tale that cannot hide its Male Saviour Complex Deepshikha Deb August 17, 2023
Essay How ‘The Flash’ Resets DC Extended Universe To Make Way For Gunn’s DC Universe? Abhishek Sharma August 12, 2023
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High On Films
