When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated FilmsDecember 21, 2025 Santosh Kumar Mamgain
Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’December 20, 2025 Nileena Sunil
The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’December 18, 2025 Akash Deshpande
‘Sentimental Value’ and Art’s Interjection into Life as a Mode of CatharsisDecember 18, 2025 Akash Deshpande
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025December 21, 2025
Essay Harmony as Auteurism: Understanding the Impact of Director-Composer Collaborations Eshiv Garg December 12, 2025December 21, 2025
Column Shared Guilt and Divergent Fates: Why ‘Dies Irae’ Feels Like Psycho’s Distant Cousin Gourab Saha December 11, 2025December 21, 2025
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 21, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025December 21, 2025
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025December 18, 2025
Column‘Wicked’ and the Jim Crow Era: Unmasking the Parallels of Prejudice and PowerFebruary 14, 2025 Aja Haymore
ColumnNeo-Kolkata Triptych? A Cinematic Inquiry into a Decaying MetropolisFebruary 13, 2025 Soumalya Chatterjee
Column‘The Wages of Fear’ and ‘Sorcerer’: A Comparison of Different PerspectivesFebruary 10, 2025 Abirbhab Maitra
EssayRobert Eggers’ ‘Nosferatu’ (2024): Changes and Continuity in Vampiric TraditionsJanuary 20, 2025 Kalpa Jyoti Bhuyan
ColumnRelationships in a Small Town in Nuri Bilge Ceylan’s ‘Kasaba’ and ‘Clouds of May’January 19, 2025 Abirbhab Maitra
ColumnA Tribute to David Lynch: An Impenetrable Visionary Who Lit Up The Darkest Recesses of Our MindsJanuary 17, 2025 Julian Malandruccolo
ColumnWhen the Divine Order Embraces Sacred Chaos in Edward Berger’s ‘Conclave’January 14, 2025 Akhila Krishnan
ColumnThe Sweet Ache of Youth: On the Tangled Thrills of ‘Licorice Pizza’January 13, 2025 Tanay Shrotriy
ColumnA Poetic Portraiture of The Working-Class Women in Payal Kapadia’s ‘All We Imagine as Light’January 8, 2025 Soumalya Chatterjee
ColumnStreams of Consequence: Ryusuke Hamaguchi’s Meditation on the Environmental Loss in ‘Evil Does Not Exist’January 6, 2025 Shubham Sharma
ColumnWhy ‘Blink Twice’ (2024) is a Bold but Flawed Exploration of Power, Revenge, and Feminism? January 4, 2025 Ritesh Sharma
ColumnCalling the Spade on Motherhood: 7 Watches and a Read to Cope With the Realities of Being a New MotherJanuary 2, 2025 Nikita Naiknavare
ColumnTangerine (2015): Celebrate Christmas with this Not-So-Typical Holiday FlickDecember 25, 2024 Ritesh Sharma
Essay ‘Elemental’ is a tender tale that cannot hide its Male Saviour Complex Deepshikha Deb August 17, 2023
Essay How ‘The Flash’ Resets DC Extended Universe To Make Way For Gunn’s DC Universe? Abhishek Sharma August 12, 2023
Essay Passages and the Cultural Problem of the Death of Sex Scenes in Film Virat Nehru August 7, 2023
Essay The Drive across “Mother-ing Up” & “Daughter-ing Down”: The Multitudinous Complexities of the Mother-Daughter Relationship in Lady Bird (2017) Sreetama Basu August 20, 2024
Essay How ‘Rocky Aur Rani Ki Prem Kahani’ Exudes Typical Grandiose of KJo’s Films While Subverting Societal Stereotypes Srilekha Mitra August 1, 2023
Essay A Long Time on the Epiphanic Road: Chihiro’s Coming of Age and Personal Growth in Spirited Away (2001) Sreetama Basu July 5, 2024
High On Films
