How Spike Jonze’s ‘Her’ and Sofia Coppola’s ‘Lost in Translation’ Turned Loneliness Into CinemaAugust 29, 2025 Sumedha Chatterjee
High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music August 28, 2025 Aja Haymore
Long Story Short: Jewish Identity, Pandemic, and the Frame of Grief in Netflix Animated ComedyAugust 23, 2025 Naveed Zahir
Column Breaking the Flow: The Interval Economy of Indian Cinema Pranay Kumar August 20, 2025August 23, 2025
Column Fractured Mirrors: Andrei Tarkovsky’s ‘Mirror’ (Zerkalo, 1975) Through a Lacanian Lens in Post-COVID Times Ishani Routh August 20, 2025August 20, 2025
Column Emancipation and Labour: An Existentialist Analysis of ‘Mrs.’ (2023) as a Tale of Labour Exploitation Santosh Kumar Mamgain August 20, 2025August 20, 2025
Column The Optical Residue of a Nation: Fragments from Route One USA (1989) Pulkit Sharma August 29, 2025August 29, 2025
Column How Spike Jonze’s ‘Her’ and Sofia Coppola’s ‘Lost in Translation’ Turned Loneliness Into Cinema Sumedha Chatterjee August 29, 2025
Column High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music Aja Haymore August 28, 2025August 28, 2025
EssayLost in Translation: How “Anatomy of a Fall” Captures the Difficulty of Representing RealityJune 22, 2024 David Lobzhanidze
ColumnParis is Burning: The Search for Freedom in Overlapping Systems of OppressionsJune 19, 2024 Purusharth Chawla
ColumnThe Next Big Monster: Why We Should Be Excited About the Upcoming Nosferatu (2024) Remake?June 4, 2024 Joséphine des Aulnois
ColumnWhy Furiosa: A Mad Max Saga is Bombing at the Box Office (And Why It Doesn’t Matter)May 31, 2024 Adil Rahim Hyder
ColumnStill Relevant After All These Years: How “Reality Bites” Captures 90s Nostalgia and Gen X StrugglesMay 28, 2024 Shreya Mariam
Column · Netflix · Streaming NowWhy is the Failure of ‘Laal Singh Chaddha’ (2022) A Depressing Moment for Bollywood?May 16, 2024 Ritesh Sharma
Column101 Years of Mrinal Sen: Remembering the Icon of Indian Political CinemaMay 14, 2024 Balachandran Chirammal
ColumnWomen Losing and Finding Themselves Back in Kiran Rao’s ‘Laapataa Ladies’ (2024) May 6, 2024 Pratyasha Roy
ColumnWhy ‘Jackie Brown’ Offers a More Authentic Hangout Experience Than ‘Once Upon a Time in Hollywood’?May 5, 2024 Ritesh Sharma
Essay The Universality and Timelessness of One Flew Over the Cuckoo’s Nest Beatrice Gangi February 27, 2024
Awards · Essay How Neeraj Ghaywan’s ‘Masaan’ amplifies its themes through Visual Storytelling Parth Pant July 15, 2024
Article · Essay Love, God and Silence: The Evolution of the Films of Ingmar Bergman Sam Sybert July 14, 2023
Essay Michael Corleone: The Tragic Transformation of Cinema’s Most Complex Anti-Hero Çisemnaz Çil August 27, 2024
Essay How ‘The Exorcist’ Established its Status as an Enduring Horror Classic Arun Kumar July 14, 2023
![A Spike Lee Joint: 25th Hour [2002]](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2019/02/site_28_rand_201609877_25th_hour_627.gif)
High On Films
