Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the SilencedJune 17, 2025 Ishani Routh
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’June 17, 2025 Ajay Rahul Raja
The Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece June 16, 2025 Vaishnavi S
Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find OutJune 15, 2025 Ayan Dawn
Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (The Shepherdess and the Seven Songs, 2020)June 15, 2025 Sahil
Essay Popular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic Tropes Santosh Kumar Mamgain June 7, 2025June 8, 2025
Column What ‘Havoc’ Tells Us About Losing the Feel in Filmmaking? Ritesh Sharma June 7, 2025June 7, 2025
Column Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the Silenced Ishani Routh June 17, 2025June 17, 2025
Column When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’ Ajay Rahul Raja June 17, 2025June 17, 2025
Column Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find Out Ayan Dawn June 15, 2025June 15, 2025
EssayOn Race Relations & Queerness in Todd Haynes’ Far From Heaven (2002)April 12, 2023 Jeffrey Davies
EssaySearching for the Local Übermencsch: Joel Grey in ‘Man on a Swing’ (1974)April 12, 2023 Vassilis Kroustallis
EssayRosemary’s Baby (1968): Rethinking the Monstrous Mother in Popular CultureMarch 30, 2023 Ankita Sen
EssayYou Only Live Once? How Creative Fatigue Plagued the End of the Bond Eras of Pierce Brosnan and Daniel CraigMarch 22, 2023 Joséphine des Aulnois
EssayCharting the Rise of ‘Richsploitation’: The Genre You Don’t Know You LoveMarch 21, 2023 Elliott Kendal
EssayWomen behind the Camera: Examining Space and Gender in Woman with a Movie Camera (2022)March 19, 2023 Krishnanunni Padinjassery
Essay50 Years of Nirmalyam (1973): Timeless, Introspective, and RadicalMarch 9, 2023 Krishnanunni Padinjassery
EssayMinari (2020) as More than Just a Family Drama: An Interpretation of the Film’s Marxist ThemesMarch 2, 2023 Shivani Muralikrishna
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’
Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (The Shepherdess and the Seven Songs, 2020)
Essay Succession & The Brilliant Execution of Inevitability: How This Prestige Drama’s Overarching Themes Came Full Circle in Its Final Episode Aryan Vyas June 10, 2023
Essay Tangled in Nostalgia’s Embrace: Boys Over Flowers’ Struggles Against Sands Of Time Sanghavi P.S May 28, 2023
Essay The Psychology Behind Our Love for True Crime Documentaries: Exploring the Fascination Aravind Nair July 14, 2023
Essay · Fan Blog Why Carrie Fisher Was Such An Icon On And Off The Big Screen Jerry Horne July 19, 2023
Essay Succession: How “America Decides” Deconstructs Corporatocracy With A Waking Nightmare Aryan Vyas May 19, 2023
Essay The Conversation (1974) – The Weaponization of Paranoia through Film Imagery Arnav Srivastav May 3, 2023
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