Halloween Special — The Cinematic History of the Witch: From Hag to HeroineOctober 31, 2025 Aja Haymore
Halloween Special — The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008)October 31, 2025 Christopher Rhoten
From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)October 29, 2025 Jubin Abraham
Column How Masaan (2015) Divorces Women’s Desire From Shame Kudrat Wadhwa October 29, 2025October 29, 2025
Essay Halloween Special — The Strange Thing About Johnsons, Hereditary, and Midsommar: An Analysis of Family Horror in Ari Aster’s Filmography Beatrice Gangi October 28, 2025October 31, 2025
Column Halloween Special — The Cinematic History of the Witch: From Hag to Heroine Aja Haymore October 31, 2025October 31, 2025
Column Halloween Special — The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008) Christopher Rhoten October 31, 2025October 31, 2025
Column From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978) Jubin Abraham October 29, 2025October 29, 2025
ColumnDisability, Extortion, and Impact of the Bhiwandi Communal Riots in Saeed Akhtar Mirza’s ‘Salim Langde Pe Mat Ro’ (1989) March 1, 2024 Pritha Banerjee
Column · Hulu · Netflix · Streaming Now12th Fail (2023): Why Is This Story of a Lower-Middle-Class Boy Reigning Over Our Hearts?March 1, 2024 Srilekha Mitra
ColumnDavid Fincher’s Fight Club (1999): Is It the Most Tragically Overlooked Oscars Loser Ever?February 24, 2024 Kevin Stewart
ColumnThe Bombay Textile Mill Strikes and the Economy of the Anti-National in Saeed Akhtar Mirza’s ‘Albert Pinto Ko Gussa Kyon Aata Hai?’ (1980)February 16, 2024 Pritha Banerjee
ColumnNaseem or the Story of A Fragmented Ayodhya, As Told By the Dastan Saeed Akhtar Mirza February 15, 2024 Pritha Banerjee
ColumnExploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023)February 15, 2024 Tara Mathur
Essay · Streaming Now · The Criterion ChannelThe Critical Re-reading of Alfred Hitchcock’s Vertigo (1958)February 10, 2024 Santanu Das
EssayObjectification or Empowerment: Exploring the Male Gaze in Yorgos Lanthimos’ ‘Poor Things’February 10, 2024 Jacob Barton
Article · Essay[Watch] Video Essay draws parallel between the works of Wes Anderson & Roy AnderssonFebruary 9, 2024 High on Films
ColumnA Novel Look at the Holocaust in “The Zone of Interest” and “A Hidden Life”February 7, 2024 Mitchell Burken
EssayDecoding ‘The Batman’ (2022) Through the Lens of Classism, Vigilantes, and the Quest for Justice February 3, 2024 Sourajit Dey
From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)
Essay Discovering Steven Spielberg’s Magic: Why The Fabelmans and Close Encounters of the Third Kind Should be a Double Bill Rob Jones February 23, 2023
Essay Analysing the ‘New’ in Malayalam’s New-Generation Buddy Movies: Rani Padmini (2015) and Super Sharanya (2022) Krishnanunni Padinjassery February 21, 2023
Essay From DDLJ to Rab Ne: How Aditya Chopra Created & Dismantled The On-Screen Persona of SRK’s Raj Aryan Vyas February 15, 2023
Essay The Seasons of Time: An Introduction To Post-Love Era, Based on Spike Jonze’s Her High on Films May 29, 2024
Essay Mukundan Unni Associates (2022) – A Metamodern (?) Replica of The Tragedy of Macbeth High on Films August 20, 2024