How Spike Jonze’s ‘Her’ and Sofia Coppola’s ‘Lost in Translation’ Turned Loneliness Into CinemaAugust 29, 2025 Sumedha Chatterjee
High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music August 28, 2025 Aja Haymore
Long Story Short: Jewish Identity, Pandemic, and the Frame of Grief in Netflix Animated ComedyAugust 23, 2025 Naveed Zahir
Column Breaking the Flow: The Interval Economy of Indian Cinema Pranay Kumar August 20, 2025August 23, 2025
Column Fractured Mirrors: Andrei Tarkovsky’s ‘Mirror’ (Zerkalo, 1975) Through a Lacanian Lens in Post-COVID Times Ishani Routh August 20, 2025August 20, 2025
Column Emancipation and Labour: An Existentialist Analysis of ‘Mrs.’ (2023) as a Tale of Labour Exploitation Santosh Kumar Mamgain August 20, 2025August 20, 2025
Column The Optical Residue of a Nation: Fragments from Route One USA (1989) Pulkit Sharma August 29, 2025August 29, 2025
Column How Spike Jonze’s ‘Her’ and Sofia Coppola’s ‘Lost in Translation’ Turned Loneliness Into Cinema Sumedha Chatterjee August 29, 2025
Column High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music Aja Haymore August 28, 2025August 28, 2025
EssayThe Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard LinklaterOctober 19, 2023 Aneesh Raikundalia
ColumnThe Coast of Winding Clouds And The Cinema of Rain: Nagraj Manjule’s ‘Pavsacha Nibandh’October 12, 2023 Pritha Banerjee
ColumnJourneys through the Mist: A Brief Analysis of Theo Angelopoulos’ Landscape in the Mist (1988)October 8, 2023 Balachandran Chirammal
ColumnFrom Provoking Anger to Evoking Nationalism: The Alarming Evolution of Propaganda Films In Bollywood in the Past Few YearsOctober 4, 2023 Aryan Vyas
EssayWhen Auteurism meets Mythology: How Effective is The Killing of a Sacred Deer’s Rendition of Greek Allegory? October 4, 2023 Aadesh Gupta
ColumnThe Little Grey Cells On Screen: Hercule Poirot and CinemaOctober 2, 2023 Joséphine des Aulnois
ColumnThe Rainbow Shades in ‘Guns and Gulaabs’: A Critique on the Show’s Representation of Queer IdentitySeptember 26, 2023 Sanjib Kalita
ColumnSalma Hayek’s Feminist Activism in Kahlil Gibran’s The Prophet (2014)September 26, 2023 Hisham Muhammad Ali
Column11 Social Setbacks Presented in “Skip and Loafer” And Ways to Deal With ThemSeptember 21, 2023 Jessica Balio
Essay Mukundan Unni Associates (2022) – A Metamodern (?) Replica of The Tragedy of Macbeth High on Films August 20, 2024
Essay The Enigma Called ‘Oppa’: How Korean Men Made Their Way Into Our Living Rooms Kajal Kapur January 17, 2023
Essay ‘Normal People’ is Toxicity wrapped in Western Melancholy, cleverly disguised as an absorbing story Simra Sadaf August 20, 2024
Essay Exploring the Narrative Angle and the Role of Women in Rituparno Ghosh’s ‘Shubho Mahurat’ Arpita Chowdhury May 3, 2023
Essay · Video [Watch] The Unexpected Popularity of RRR in the West Explained Matt Geiger April 19, 2024
![[Watch] The Unexpected Popularity of RRR in the West Explained](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/12/The-Unexpected-Popularity-of-RRR-Explained-768x432.jpeg)
High On Films
