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Essay Halloween Special — The Strange Thing About Johnsons, Hereditary, and Midsommar: An Analysis of Family Horror in Ari Aster’s Filmography Beatrice Gangi October 28, 2025October 31, 2025
Column Halloween Special — The Cinematic History of the Witch: From Hag to Heroine Aja Haymore October 31, 2025October 31, 2025
Column Halloween Special — The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008) Christopher Rhoten October 31, 2025October 31, 2025
Column From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978) Jubin Abraham October 29, 2025October 29, 2025
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ColumnHow Netflix is Recreating the “Snyder Cut” Phenomenon with Rebel Moon? December 30, 2023 Adil Rahim Hyder
ColumnPlacing “A Girl Walks Home Alone At Night” within “The Girls of Revolution Street” Protests of IranDecember 24, 2023 Martha Bird
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ColumnWhy Punch-Drunk Love (2002) is the Greatest Romcom of All Time? December 14, 2023 Ritesh Sharma
ColumnThe Success of “Animal” Speaks to the Broader Pervasiveness That’s Sheathed Over The National Conscience December 14, 2023 Aryan Vyas
EssayTranscendental Style as An Idea Of Being in the Filmography of Carlos Reygadas December 11, 2023 Maria Vatcharadze
From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)
Essay The Enigma Called ‘Oppa’: How Korean Men Made Their Way Into Our Living Rooms Kajal Kapur January 17, 2023
Essay ‘Normal People’ is Toxicity wrapped in Western Melancholy, cleverly disguised as an absorbing story Simra Sadaf August 20, 2024
Essay Exploring the Narrative Angle and the Role of Women in Rituparno Ghosh’s ‘Shubho Mahurat’ Arpita Chowdhury May 3, 2023
Essay · Video [Watch] The Unexpected Popularity of RRR in the West Explained Matt Geiger April 19, 2024
Essay Exotica (1994): A Confounding Tale of Strange Obsessions and Unbearable Suffering Pranjal Singh December 18, 2022
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