Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’December 20, 2025 Nileena Sunil
The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’December 18, 2025 Akash Deshpande
‘Sentimental Value’ and Art’s Interjection into Life as a Mode of CatharsisDecember 18, 2025 Akash Deshpande
Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ December 12, 2025 Shefali Khan
Essay Harmony as Auteurism: Understanding the Impact of Director-Composer Collaborations Eshiv Garg December 12, 2025December 21, 2025
Column Shared Guilt and Divergent Fates: Why ‘Dies Irae’ Feels Like Psycho’s Distant Cousin Gourab Saha December 11, 2025December 21, 2025
Column Frankenstein Reborn: Del Toro’s Gothic Dream of Sight, Soul, and Salvation Shivani Muralikrishna December 11, 2025December 21, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025December 21, 2025
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025December 18, 2025
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025December 21, 2025
ColumnGame of Thrones vs. House of the Dragon: Comparing the Iconic Fantasy SeriesApril 2, 2024 High on Films
EssayHow the Screenplay of ‘Past Lives’ Nurtures its Deep Emotional CoreMarch 24, 2024 Shivani Muralikrishna
ColumnCharlie Chaplin’s ‘The Great Dictator’ is a Hilarious Denunciation of FascismMarch 22, 2024 Arunima Das
ColumnWhy is Gary Oldman’s Gritty Drama ‘Nil By Mouth’ the Most Underrated ’90s Film?March 21, 2024 Richard Thompson
ColumnDid These Films Predict the Future? How Sci-Fi (And Other) Cinema Made Curiously Real AssumptionsMarch 21, 2024 Shashwat Sisodiya
ColumnWhy Harris Dickinson Is Poised for Superstardom in the Next Five Years?March 19, 2024 Richard Thompson
ColumnSai Paranjpye’s ‘Katha’ tells us that inherent goodness doesn’t win the race anymoreMarch 17, 2024 Shikhar Verma
ColumnDenial of Meaninglessness Work and the Embarrassment of Lethargy: Why Life is Dull in Roy Andersson’s ‘World of Glory’?March 16, 2024 Pritha Banerjee
ColumnThe Begetter of Movement: The Case of Sudha’s Husband in ‘Ijaazat’ (1987)March 13, 2024 Damayanti Ghosh
Essay Celebrating Secularism With Shahrukh Khan’s Pathaan (2023) Balaganesh Kothapalli February 22, 2023
Essay Discovering Steven Spielberg’s Magic: Why The Fabelmans and Close Encounters of the Third Kind Should be a Double Bill Rob Jones February 23, 2023
Essay Analysing the ‘New’ in Malayalam’s New-Generation Buddy Movies: Rani Padmini (2015) and Super Sharanya (2022) Krishnanunni Padinjassery February 21, 2023
Essay From DDLJ to Rab Ne: How Aditya Chopra Created & Dismantled The On-Screen Persona of SRK’s Raj Aryan Vyas February 15, 2023
Essay The Seasons of Time: An Introduction To Post-Love Era, Based on Spike Jonze’s Her High on Films May 29, 2024
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