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High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music August 28, 2025 Aja Haymore
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Column Breaking the Flow: The Interval Economy of Indian Cinema Pranay Kumar August 20, 2025August 23, 2025
Column Fractured Mirrors: Andrei Tarkovsky’s ‘Mirror’ (Zerkalo, 1975) Through a Lacanian Lens in Post-COVID Times Ishani Routh August 20, 2025August 20, 2025
Column Emancipation and Labour: An Existentialist Analysis of ‘Mrs.’ (2023) as a Tale of Labour Exploitation Santosh Kumar Mamgain August 20, 2025August 20, 2025
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Column High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music Aja Haymore August 28, 2025August 28, 2025
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Essay Exotica (1994): A Confounding Tale of Strange Obsessions and Unbearable Suffering Pranjal Singh December 18, 2022
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Essay On Class and Queer Love: The Particularity of Films about Migrants Pride High on Films October 4, 2022
Essay Five Times Two (2004): A Portrait of a Marriage on the Terms of Endangerment Pranjal Singh September 24, 2022
Essay Once Upon a Time in Calcutta (2021): How to Survive in a Rapidly Changing Megalopolis? Suman Saha September 23, 2022
Essay · Streaming Now · Zee5 Global The Kashmir Files (2022): Vivek Agnihotri’s Hate Story II High on Films September 13, 2022
Essay Casa Grande (2014): A Non-Traditional Bildungsroman About Class, Color and Comfort Pranjal Singh August 18, 2022
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