Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the SilencedJune 17, 2025 Ishani Routh
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’June 17, 2025 Ajay Rahul Raja
The Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece June 16, 2025 Vaishnavi S
Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find OutJune 15, 2025 Ayan Dawn
Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (The Shepherdess and the Seven Songs, 2020)June 15, 2025 Sahil
Essay Popular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic Tropes Santosh Kumar Mamgain June 7, 2025June 8, 2025
Column What ‘Havoc’ Tells Us About Losing the Feel in Filmmaking? Ritesh Sharma June 7, 2025June 7, 2025
Column Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the Silenced Ishani Routh June 17, 2025June 17, 2025
Column When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’ Ajay Rahul Raja June 17, 2025June 17, 2025
Column Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find Out Ayan Dawn June 15, 2025June 15, 2025
Article · EssayMarriage Story (2019): Accepting Love In Separation In Noah Baumbach’s Nuanced Take On LossMarch 24, 2022 Aryan Vyas
Article · EssayDoubt [2008]: A Crisis of Faith Leads to a Dissection of the Nature of CertaintyMarch 21, 2022 Pranjal Singh
Article · EssayThe Kashmir Files: Does Loud Propaganda Negate An Unfortunate Incident In History?March 19, 2022 Aryan Vyas
Article · EssayWheel Of Fortune and Fantasy [2021] – A Complex Dish of Desire, Identity & Self-exploration served piping hotMarch 4, 2022 Pranjal Singh
Essay · Fan Theory · ReviewReading ‘Writer’ (2021) through a Marxist LensMarch 2, 2022 Jeeva Pitchaimani
Article · EssayChuruli (2021): A Transversal of Understanding Through the Debauchery of LanguageFebruary 15, 2022 Krishnanunni Padinjassery
Article · EssayShardul Thakur Comes Out of the Closet: A Nuanced Portrayal of Queerness in Badhaai DoFebruary 14, 2022 Ahendrila Goswami
Article · EssayBlind Chance (1987): A Flurry of Missed Opportunities Amidst Turbulent TimesFebruary 9, 2022 Pranjal Singh
Article · EssaySilence & Violence – How the Bank Robbery Scene in ‘Hana-Bi’ Discretely Disrupts Order, Whilst Maintaining its FacadeFebruary 4, 2022 highonfilms
Article · Essay20 Years Of Harry Potter and The Sorcerer’s Stone: What Made The Wizarding World So EnchantingFebruary 4, 2022 Aryan Vyas
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’
Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (The Shepherdess and the Seven Songs, 2020)
Essay Exploring the Staircase as the Protagonist in The Spiral Staircase (1946) Ahendrila Goswami February 17, 2024
Article · Essay A Brief History of the Struggles of Blacks in Cinema Balachandran Chirammal July 20, 2022
Essay Discussing Systemic Sabotage and Institutional Suicide in Jana Gana Mana (2022) Krishnanunni Padinjassery June 4, 2022
High On Films