A Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for HollywoodSeptember 17, 2025 Liam Gaughan
The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
Lost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
Column In ‘Lokah,’ Malayalam Cinema Finally Lets a Woman Wear the Cape Akhila Krishnan September 12, 2025September 12, 2025
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
Column · Featured A Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for Hollywood Liam Gaughan September 17, 2025September 17, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
ColumnJourneys through the Mist: A Brief Analysis of Theo Angelopoulos’ Landscape in the Mist (1988)October 8, 2023 Balachandran Chirammal
ColumnFrom Provoking Anger to Evoking Nationalism: The Alarming Evolution of Propaganda Films In Bollywood in the Past Few YearsOctober 4, 2023 Aryan Vyas
EssayWhen Auteurism meets Mythology: How Effective is The Killing of a Sacred Deer’s Rendition of Greek Allegory? October 4, 2023 Aadesh Gupta
ColumnThe Little Grey Cells On Screen: Hercule Poirot and CinemaOctober 2, 2023 Joséphine des Aulnois
ColumnThe Rainbow Shades in ‘Guns and Gulaabs’: A Critique on the Show’s Representation of Queer IdentitySeptember 26, 2023 Sanjib Kalita
ColumnSalma Hayek’s Feminist Activism in Kahlil Gibran’s The Prophet (2014)September 26, 2023 Hisham Muhammad Ali
Column11 Social Setbacks Presented in “Skip and Loafer” And Ways to Deal With ThemSeptember 21, 2023 Jessica Balio
EssayAdulthood is Learning Vulnerability: An Analysis of Kiki’s Delivery Service (1989)September 20, 2023 Beatrice Gangi
EssayConcept, Rhythm, and Horror: Oppenheimer as an Accumulation of Nolan’s FilmographySeptember 12, 2023 Aadesh Gupta
A Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for Hollywood
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Essay Exotica (1994): A Confounding Tale of Strange Obsessions and Unbearable Suffering Pranjal Singh December 18, 2022
Essay Disseminating Doubt, Demanding Dignity: The Declaration and Alienation of Ariyippu (2022) Krishnanunni Padinjassery November 17, 2022
Essay On Class and Queer Love: The Particularity of Films about Migrants Pride High on Films October 4, 2022
Essay Five Times Two (2004): A Portrait of a Marriage on the Terms of Endangerment Pranjal Singh September 24, 2022
Essay Once Upon a Time in Calcutta (2021): How to Survive in a Rapidly Changing Megalopolis? Suman Saha September 23, 2022
Essay · Streaming Now · Zee5 Global The Kashmir Files (2022): Vivek Agnihotri’s Hate Story II High on Films September 13, 2022
Essay Casa Grande (2014): A Non-Traditional Bildungsroman About Class, Color and Comfort Pranjal Singh August 18, 2022
High On Films
