When Horror Hurts: Violence, Realism, and Responsibility inย ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)ย July 10, 2025 Hannah John
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s โThe Phoenician Schemeโย July 10, 2025 Gourab Saha
Guru Dutt at 100: The Enduring Legacy of โPyaasaโ and โKaagaz Ke PhoolโJuly 10, 2025 Srilekha Mitra
The Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatakโs โJukti Takko Aar Gappoโ Through an Absurdist LensJuly 8, 2025 Ishani Routh
Column The Stars of Aamir Khan: A Comparative Reflection on โTaare Zameen Parโ and โSitaare Zameen Parโ Kalpa Jyoti Bhuyan July 7, 2025July 10, 2025
Column Guru Dutt: The Lonely Artist Who Spoke Through Shadows Nishtha Ranjan July 7, 2025July 13, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas July 7, 2025July 10, 2025
Column When Horror Hurts: Violence, Realism, and Responsibility inย ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)ย Hannah John July 10, 2025July 10, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s โThe Phoenician Schemeโย Gourab Saha July 10, 2025July 10, 2025
Article · EssayJoker in Cinema: Infinitely elastic yet extremely constrictedMay 24, 2019 Ashwani Kumar
Article · EssayThe Film Industryโs Gender Parity, Ending Unsubstantiated DiscriminationMay 3, 2019 David Morgan Brown
Article · EssayThe Death of Death in Blockbusters – No-One’s Ever Really GoneApril 28, 2019 David Morgan Brown
Article · EssayThe Unspoken Diversity Deficiency at the Oscars: Amount of Films & Foreign FilmsFebruary 12, 2019 David Morgan Brown
When Horror Hurts: Violence, Realism, and Responsibility inย ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)ย
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s โThe Phoenician Schemeโย
Article · Essay Rajkumar Rao and Ayushmann Khurrana: Redefining the Definition of a Hindi Film Hero Tirna Chatterjee February 24, 2021
Article · Essay How Olivia Wilde’s 2019 debut film ‘Booksmart’ breaks stereotypes Tirna Chatterjee February 24, 2021
Article · Essay National Identity In The Romantic Aesthetic of Michael Powell Malu Barroso February 24, 2021
Article · Essay Bong Joon-ho – Cinema of modest Prestige and Everlasting Regrets Jai Bhatt July 15, 2024
![Lookback at Hitchcock: Marnie [1964]](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2020/04/Marnie-1964-highonfilms1-768x418.png)
High On Films
