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Column Iran’s One Battle After Another: Cinephilia vs. State Soumalya Chatterjee April 3, 2026April 4, 2026
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Column Studying a ‘Non-Revolutionary’ in Satyajit Ray’s ‘Seemabaddha’ Damayanti Ghosh April 18, 2026April 19, 2026
Column · MUBI · Streaming Now The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World Damayanti Saha April 11, 2026April 12, 2026
Column The Bridge to the Self: A Personal Journey Through Cinema Saba Tsabadze April 9, 2026April 10, 2026
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ColumnAction, Horror, and More: Inside the Colorful World of Timo TjahjantoFebruary 22, 2023 Joséphine des Aulnois
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ColumnMarvel Cinematic Universe (MCU) Phase 4: What Went Wrong (and Right)?February 2, 2023 Rohitavra Majumdar
EssayMukundan Unni Associates (2022) – A Metamodern (?) Replica of The Tragedy of MacbethJanuary 28, 2023 High on Films
Column · HBO Max · Streaming Now · TVHow a COVID-esque ‘Cold Open’ Made the Latest “The Last of Us” Episode one of the Greatest Hours on Television?January 25, 2023 Rohitavra Majumdar
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The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World
Article · News Mickey 17: Bong Joon Ho’s Dark Sci-Fi Exposes the Terrifying Reality of Replaceable Workers Deepshikha Deb January 7, 2026
Essay Sexual Violence and the Objectification of Women in Hindi Cinema Santosh Kumar Mamgain March 8, 2025
Column Who is the Mysterious Janitor? Unraveling Identity and Loneliness in ‘I’m Thinking of Ending Things’ (2020) Abirbhab Maitra February 17, 2025
Column ‘Wicked’ and the Jim Crow Era: Unmasking the Parallels of Prejudice and Power Aja Haymore February 16, 2025
Column Neo-Kolkata Triptych? A Cinematic Inquiry into a Decaying Metropolis Soumalya Chatterjee February 13, 2025
Column ‘The Wages of Fear’ and ‘Sorcerer’: A Comparison of Different Perspectives Abirbhab Maitra February 10, 2025
