Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Column Did These Films Predict the Future? How Sci-Fi (And Other) Cinema Made Curiously Real Assumptions Shashwat Sisodiya July 15, 2024
Column Why Harris Dickinson Is Poised for Superstardom in the Next Five Years? Richard Thompson July 15, 2024
Column Sai Paranjpye’s ‘Katha’ tells us that inherent goodness doesn’t win the race anymore Shikhar Verma March 18, 2024
Column Denial of Meaninglessness Work and the Embarrassment of Lethargy: Why Life is Dull in Roy Andersson’s ‘World of Glory’? Pritha Banerjee March 17, 2024
Column The Begetter of Movement: The Case of Sudha’s Husband in ‘Ijaazat’ (1987) Damayanti Ghosh March 14, 2024
Column The Ultimate Scorned Lover: The Story of Alex in Fatal Attraction (1987) Adil Rahim Hyder March 8, 2024
