The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing WorldApril 11, 2026 Damayanti Saha
Dodecatheon in Cinema (or 12 gods, 12 movies) #1: Hermes in ‘Thief’ (1981)April 10, 2026 Guilherme Quireza
‘Company Retreat’ and the Appeal of The Peculiar Strain of Meta-ComediesApril 9, 2026 Akash Deshpande
Column How Daft Punk Take on the Music Industry Through “Interstella 5555” Rafael Jovine April 6, 2026April 7, 2026
Column Iran’s One Battle After Another: Cinephilia vs. State Soumalya Chatterjee April 3, 2026April 4, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
Column Studying a ‘Non-Revolutionary’ in Satyajit Ray’s ‘Seemabaddha’ Damayanti Ghosh April 18, 2026April 19, 2026
Column · MUBI · Streaming Now The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World Damayanti Saha April 11, 2026April 12, 2026
Column The Bridge to the Self: A Personal Journey Through Cinema Saba Tsabadze April 9, 2026April 10, 2026
The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World
Column Women Losing and Finding Themselves Back in Kiran Rao’s ‘Laapataa Ladies’ (2024) Pratyasha Roy March 2, 2025
Column Why ‘Jackie Brown’ Offers a More Authentic Hangout Experience Than ‘Once Upon a Time in Hollywood’? Ritesh Sharma May 5, 2024
Column Why is Palm Springs a Better Existential Comedy than Groundhog Day? Ritesh Sharma August 21, 2024
