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The Performance of Toiletry: Two Bollywood Female Protagonists and Self-ExpressionJanuary 7, 2026 Ahendrila Goswami
The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)January 7, 2026 Krishnanunni Padinjassery
Column Transmuting Financial Ruin and Forbidden Love into Plays Fit for a Queen in ‘Shakespeare in Love’ (1998) Vasundhara Parashar January 3, 2026January 10, 2026
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country Needs Soumalya Chatterjee January 8, 2026January 8, 2026
Column Ecofeminism Through an Estranged Marriage in Aparna Sen’s Yugant (1995) Debanjan Dhar January 7, 2026January 7, 2026
Column The Performance of Toiletry: Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami January 7, 2026January 7, 2026
Essay Concept, Rhythm, and Horror: Oppenheimer as an Accumulation of Nolan’s Filmography Aadesh Gupta August 21, 2024
Column · MUBI · Streaming Now What Is It Like To Be A Woman?: Perceiving Motherhood in ‘Becoming Male In The Middle Ages’ Pritha Banerjee September 12, 2023
Column Cinematic Chronicles of Socioeconomic Struggles: A Trifecta of 20th Century Classics Arpita Chowdhury September 11, 2023
Essay Why is ‘The Black Cauldron’ Disney’s Missed Horror Masterpiece? Beatrice Gangi September 5, 2023
Column Maybe we should let Women Filmmakers just be Filmmakers: Thoughts on ‘Barbie’ Discourse Gauri September 4, 2023
Essay Revelation as Paradox: Oppenheimer and the Criticality of Scientific Reason Shaswata Ray August 21, 2024
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