Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country NeedsJanuary 8, 2026 Soumalya Chatterjee
The Performance of Toiletry: Two Bollywood Female Protagonists and Self-ExpressionJanuary 7, 2026 Ahendrila Goswami
The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)January 7, 2026 Krishnanunni Padinjassery
Column Transmuting Financial Ruin and Forbidden Love into Plays Fit for a Queen in ‘Shakespeare in Love’ (1998) Vasundhara Parashar January 3, 2026January 10, 2026
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country Needs Soumalya Chatterjee January 8, 2026January 8, 2026
Column Ecofeminism Through an Estranged Marriage in Aparna Sen’s Yugant (1995) Debanjan Dhar January 7, 2026January 7, 2026
Column The Performance of Toiletry: Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami January 7, 2026January 7, 2026
Column ’Hiroshima Mon Amour’ is a Poignant Intermixture of History with Memories of Love, Loss, and Suffering Srilekha Mitra August 18, 2023
Essay ‘Elemental’ is a tender tale that cannot hide its Male Saviour Complex Deepshikha Deb August 17, 2023
Essay How ‘The Flash’ Resets DC Extended Universe To Make Way For Gunn’s DC Universe? Abhishek Sharma August 12, 2023
Column Penetrating the Patriarchy and Exploring the (Lack of) Feminine in An Exercise In Discipline: Peel (1986) Pritha Banerjee August 9, 2023
![Taxi Driver [1976] : An Existential Ride](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2019/06/Taxi-Driver-An-Existential-ride-High-on-Films-1976-768x433.jpg)
High On Films
