What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas March 23, 2026 Sree
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘If I Had Legs I’d Kick You’ and the Loneliness of Being a Mother Prapti Alam March 17, 2026March 19, 2026
Column A Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary India Soumalya Chatterjee March 17, 2026March 19, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column Treasure Planet, or the Refusal to Give Up on the Lost Guilherme Quireza March 26, 2026March 26, 2026
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
Article Why Samarth Mahajan’s ‘Borderlands’ (2021) Is An Essential Watch Debopriyaa Dutta November 20, 2023
Column · Netflix · Streaming Now “The Killer” Is A Remarkably Self-Aware Cinema Which Many of You Are Perceiving Wrong Rohitavra Majumdar November 17, 2023
Essay Prem Pujari (1970) – Complicity of Dev Anand’s Stardom in the Construction of Toxic Nationalism and Patriarchal Rules Nikhil Sanghotra November 8, 2023
Column · JioHotstar · Streaming Now A Journey of Letting Go in Soumyak Kanti DeBiswas’ ‘The Daughter’ Shivani Muralikrishna August 21, 2024
Column Magical Realism, Family and the Big Screen: Lessons from Two Great Movies Joséphine des Aulnois October 31, 2023
