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Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Column From Provoking Anger to Evoking Nationalism: The Alarming Evolution of Propaganda Films In Bollywood in the Past Few Years Aryan Vyas October 4, 2023
Essay When Auteurism meets Mythology: How Effective is The Killing of a Sacred Deer’s Rendition of Greek Allegory? Aadesh Gupta July 10, 2024
Column The Little Grey Cells On Screen: Hercule Poirot and Cinema Joséphine des Aulnois October 2, 2023
Column The Rainbow Shades in ‘Guns and Gulaabs’: A Critique on the Show’s Representation of Queer Identity Sanjib Kalita September 29, 2023
Column Salma Hayek’s Feminist Activism in Kahlil Gibran’s The Prophet (2014) Hisham Muhammad Ali September 29, 2023
Article ‘Guy Ritchie’s ‘The Covenant’: Where was the film shot? – Filming Locations & Other Details Shikhar Verma September 23, 2023
