Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Column 11 Social Setbacks Presented in “Skip and Loafer” And Ways to Deal With Them Jessica Balio September 21, 2023
Essay Adulthood is Learning Vulnerability: An Analysis of Kiki’s Delivery Service (1989) Beatrice Gangi February 24, 2026
Article · News Who is Golda Meir from the Helen Mirren movie ‘Golda,’ and what happened to her? Deepshikha Deb September 20, 2023
Essay Concept, Rhythm, and Horror: Oppenheimer as an Accumulation of Nolan’s Filmography Aadesh Gupta August 21, 2024
Column · MUBI · Streaming Now What Is It Like To Be A Woman?: Perceiving Motherhood in ‘Becoming Male In The Middle Ages’ Pritha Banerjee September 12, 2023