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The Performance of Toiletry: Two Bollywood Female Protagonists and Self-ExpressionJanuary 7, 2026 Ahendrila Goswami
The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)January 7, 2026 Krishnanunni Padinjassery
Column Transmuting Financial Ruin and Forbidden Love into Plays Fit for a Queen in ‘Shakespeare in Love’ (1998) Vasundhara Parashar January 3, 2026January 10, 2026
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country Needs Soumalya Chatterjee January 8, 2026January 8, 2026
Column Ecofeminism Through an Estranged Marriage in Aparna Sen’s Yugant (1995) Debanjan Dhar January 7, 2026January 7, 2026
Column The Performance of Toiletry: Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami January 7, 2026January 7, 2026
Essay The Viewer in Kubrickland: Solving Stanley Kubrick’s Hermeneutic Labyrinth Debopriyaa Dutta July 29, 2023
Anime · Column Vinland Saga: A Saga Beyond Compare – A Harmonious Symphony of History, Emotion, and Human Spirit Çisemnaz Çil July 24, 2023
Article · Essay Masculinity and Ignorance as themes in neo-noirs: Taxi Driver, Chinatown, and Drive Nivedita Nair July 18, 2023
Essay Will Movie Adaptations of Famous Games Prove to Be Successful in the Long Run? Jerry Horne July 17, 2023
High On Films
