Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country NeedsJanuary 8, 2026 Soumalya Chatterjee
The Performance of Toiletry: Two Bollywood Female Protagonists and Self-ExpressionJanuary 7, 2026 Ahendrila Goswami
The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)January 7, 2026 Krishnanunni Padinjassery
Column Transmuting Financial Ruin and Forbidden Love into Plays Fit for a Queen in ‘Shakespeare in Love’ (1998) Vasundhara Parashar January 3, 2026January 10, 2026
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country Needs Soumalya Chatterjee January 8, 2026January 8, 2026
Column Ecofeminism Through an Estranged Marriage in Aparna Sen’s Yugant (1995) Debanjan Dhar January 7, 2026January 7, 2026
Column The Performance of Toiletry: Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami January 7, 2026January 7, 2026
Article Hallmark’s Take Me Back For Christmas: Where was the film shot? -Filming Locations & Other Details Deepshikha Deb July 17, 2023
Essay The Universality and Timelessness of One Flew Over the Cuckoo’s Nest Beatrice Gangi February 27, 2024
Awards · Essay How Neeraj Ghaywan’s ‘Masaan’ amplifies its themes through Visual Storytelling Parth Pant July 15, 2024
Article · Essay Love, God and Silence: The Evolution of the Films of Ingmar Bergman Sam Sybert July 14, 2023
![A Spike Lee Joint: 25th Hour [2002]](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2019/02/site_28_rand_201609877_25th_hour_627.gif)
High On Films
