Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country NeedsJanuary 8, 2026 Soumalya Chatterjee
The Performance of Toiletry: Two Bollywood Female Protagonists and Self-ExpressionJanuary 7, 2026 Ahendrila Goswami
The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)January 7, 2026 Krishnanunni Padinjassery
Column Transmuting Financial Ruin and Forbidden Love into Plays Fit for a Queen in ‘Shakespeare in Love’ (1998) Vasundhara Parashar January 3, 2026January 10, 2026
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country Needs Soumalya Chatterjee January 8, 2026January 8, 2026
Column Ecofeminism Through an Estranged Marriage in Aparna Sen’s Yugant (1995) Debanjan Dhar January 7, 2026January 7, 2026
Column The Performance of Toiletry: Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami January 7, 2026January 7, 2026
Column The Dominance of the South Indian Films: Are We Witnessing a Fundamental Shift or A Passing Cycle? Arjun Niyogi April 23, 2023
Essay Searching for the Local Übermencsch: Joel Grey in ‘Man on a Swing’ (1974) Vassilis Kroustallis April 12, 2023
Column The Magical Realism of Pan’s Labyrinth & The Redefinition of Reality Beatrice Gangi April 23, 2023
Essay Rosemary’s Baby (1968): Rethinking the Monstrous Mother in Popular Culture Ankita Sen April 4, 2024
Column Roy, Kelly & Rebecca Learn to Set Free From Their Past: A Lesson in Dealing With Our Past Versions Akash Deshpande April 23, 2023
Essay You Only Live Once? How Creative Fatigue Plagued the End of the Bond Eras of Pierce Brosnan and Daniel Craig Joséphine des Aulnois March 23, 2023
Essay Charting the Rise of ‘Richsploitation’: The Genre You Don’t Know You Love Elliott Kendal March 22, 2023
Essay Women behind the Camera: Examining Space and Gender in Woman with a Movie Camera (2022) Krishnanunni Padinjassery March 20, 2023
High On Films
