Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Column What The Three Musketeers: D’Artagnan (2023) Teaches us about Book-To-Screen Adaptation Joséphine des Aulnois July 15, 2023
Article The Bourne Film Franchise Dodged Doom from Julia Stiles’ Original Ending Anushka Rao July 15, 2023
Column Reading Beyond the Silences: What the Different Voices Tell us about Support in “Mrs. Chatterjee Vs. Norway” Arpita Chowdhury July 15, 2023
Essay The Eerie and Fantastical Exhibition of Sam Raimi’s The Evil Dead Trilogy Aravind Nair July 10, 2024
Essay On Race Relations & Queerness in Todd Haynes’ Far From Heaven (2002) Jeffrey Davies July 8, 2023
Column The Dominance of the South Indian Films: Are We Witnessing a Fundamental Shift or A Passing Cycle? Arjun Niyogi April 23, 2023
Essay Searching for the Local Übermencsch: Joel Grey in ‘Man on a Swing’ (1974) Vassilis Kroustallis April 12, 2023
