Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s tragicomedy about a rent-a-friend employee analyzes the depths of human experienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s tragicomedy about a rent-a-friend employee analyzes the depths of human experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Review · VOD Project Dorothy (2023) Movie Review: A Loud, abrasive, evil-AI chamber piece Shikhar Verma June 22, 2023
Film Festivals · Review Q (2023) ‘Sheffield DocFest’ Review – Expertly untangles a complicated remembrance Debanjan Dhar June 22, 2023
Film Festivals · Review · Tribeca Marinette (2023) ‘Tribeca’ Review: Garance Marillier’s scintillating performance elevates this biographical drama Akash Deshpande June 21, 2023
Film Festivals · Review Tish (2023) ‘Sheffield DocFest’ Review – Despite simplistic beats, Tish is generous and affecting Debanjan Dhar June 20, 2023
Review Vazhakku – The Quarrel (2022) Movie Review: The Fate Of The Stars Niikhiil Akhiil June 20, 2023
Films This Week · Review · VOD Mad Heidi (2023) Movie Review: The Grindhouse adaptation of Heidi is campy and cheesy fun, but it takes a while to get going Amartya Acharya June 20, 2023
Review · VOD The Country Club (2023) Movie Review: So Unfunny That It Will Make You Re-think the Pleasure of Summer Vacation Comedies Ahendrila Goswami June 20, 2023
Netflix · Review · Streaming Now Take Care of Maya (2023) ‘Netflix’ Documentary Review: An unnerving look into a systemic issue Akash Deshpande June 20, 2023
Film Festivals · Review No Winter Holidays (2023) ‘Sheffield DocFest’ Review – Stunning But Tediously Staid Debanjan Dhar June 19, 2023
High On Films
