Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s tragicomedy about a rent-a-friend employee analyzes the depths of human experienceOctober 15, 2025 Akash Deshpande
Featured · ReviewBugonia (2025) Movie Review: An Acidic Enraged Look at Dehumanization with Ruthless Black ComedyOctober 15, 2025 Liam Gaughan
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s tragicomedy about a rent-a-friend employee analyzes the depths of human experience
Christy (2025) Movie Review: An Overlong By-The-Numbers Boxing Biopic Elevated by a Great Performance
Review Ash is Purest White (2018) Movie Review: Unorthodox and Reflexive Tiasha Chakraborty June 19, 2023
Review The Cloud Messenger (2022) Movie Review: An Overlong But Stunning Fantasy In Which Modern Drama Is Integral To Myth-Making Shashwat Sisodiya June 19, 2023
Max · Review · Streaming Now How Do You Measure a Year? (2023) Documentary Review: An amateurish but emotionally affecting birthday present of a documentary Shashwat Sisodiya June 19, 2023
Film Festivals · Review While We Watched Review (2023) ‘Sheffield DocFest’ Review – Veers frustratingly between gripping and slight Debanjan Dhar June 19, 2023
Review · VOD The Crime is Mine (2023) Movie Review: Francois Ozon’s queer adaptation of a French play is a frothy and relevant satire Amartya Acharya June 19, 2023
Film Festivals · Review · Tribeca Chasing Chasing Amy (2023) ‘Tribeca’ Movie Review: A heartfelt & intriguing documentary about a filmmaker’s personal relationship with a cult classic Akash Deshpande June 21, 2023
Film Festivals · Review · Tribeca Blood for Dust (2023) ‘Tribeca’ Movie Review: A gripping morality tale despite its familiar beats Akash Deshpande June 20, 2023
Film Festivals · Review · Tribeca The Line (2023) ‘Tribeca’ Movie Review: A harrowing drama that depicts the paranoia about the fall of institutions Akash Deshpande June 19, 2023
Films This Week · Review Avatar: The Way of Water (2022) Review: An Ethnofictional Visual Treasure that Creates its Own Experiential Reality Ashwani Kumar July 1, 2024
High On Films
