Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
Featured · Review · Streaming Now · Zee5 GlobalBhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra KumarOctober 16, 2025 Amartya Acharya
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Bhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra Kumar
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Review A Lullaby for Yellow Roses (2023) Short Film Review – An important working class social parable that doubles up as a meditation on grief and closure Shashwat Sisodiya March 22, 2023
Review · Streaming Now Emperor Putin [2022] Review – The Many Deadly Strategies of a Power-Hungry Tyrant Arun Kumar March 21, 2023
Film Festivals · Review · SXSW Shatter Belt (Season 1) ‘SXSW’ Review: Mysterious Apple Thematic Restaurant & a Friend’s Joke Redefining the Sci-fi genre in Coherence Director’s Brilliant, New Anthology series Rohitavra Majumdar March 19, 2023
Review Boston Strangler (2023) Review: A Gripping Investigative Thriller Anchored by Keira Knightley and Carrie Coon’s Strong Performances Akash Deshpande March 20, 2023
Review Zwigato (2023) Movie Review: An Important Sentiment Built Into An Inefficient Form Driven By A Powerful Kapil Sharma Ashwani Kumar March 20, 2023
Review American Cherry (2023) Movie Review: A Visually Stunning Drama With No Redeeming Qualities Debopriyaa Dutta March 20, 2023
Review Game of Love (2023) Movie Review: Not as Fun as a Board Game but Tolerable as a Rom-com Ahendrila Goswami March 20, 2023
Film Festivals · Review · SXSW Molli and Max in the Future (2023): ‘SXSW’ Review – A Modern Comedy Classic Akram Herrak March 15, 2023
Review · SXSW Deadland (2023): ‘SXSW’ Review – A Genre Amalgamation That Leaves Too Much Up To The Audience Reubyn Coutinho March 13, 2023