Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 24, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 24, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 24, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Film Festivals · ReviewThe World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own WorldsOctober 28, 2025 Freddie Kay
Featured · ReviewDead Man’s Wire (2025) Movie Review: A Familiar Yet Nailbiting Throwback ‘70s Crime ThrillersOctober 27, 2025 Liam Gaughan
Featured · ReviewNirvanna the Band the Show the Movie (2025) Movie Review: A Madcap, Meta Mockumentary Of Unprecedented HilarityOctober 27, 2025 Liam Gaughan
The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds
Nirvanna the Band the Show the Movie (2025) Movie Review: A Madcap, Meta Mockumentary Of Unprecedented Hilarity
Resurrection (Kuangye shidai, 2025) Movie Review: A Dizzying, Bravura Escapade Into Cinematic History
Review · VOD I’ll Find You (2022) Review: A sprawling WWII romance that is as uninspired as its title Shikhar Verma November 8, 2022
Prime Video · Review · Streaming Now My Policeman (2022) Movie Review: A Textured Backdrop Watered Down By An Absolute Lack Of Filmmaking Vigour Aryan Vyas November 17, 2022
Review The Banshees of Inisherin (2022) Review: A Seamless Work of Farce and Sorrow Aadesh Gupta July 11, 2023
Films This Week · Netflix · Review · Streaming Now Enola Holmes 2 (2022) ‘Netflix’ Review: A Barely Passable Sequel which still manages to Surpass the Original Shashwat Sisodiya November 10, 2022
Films This Week · Review Anatolian Leopard [2022] Review – Austere and Melancholic Take on Encroachment via Modernity Amartya Acharya November 10, 2022
Review · VOD 1-800-Hot-Nite (2022) Review: An affecting, yet middling adolescent drama Akash Deshpande November 10, 2022
Apple TV+ · Films This Week · Review · Streaming Now Causeway [2022] Review – Jennifer Lawrence steers this moving but slight PTSD drama with an understated performance Shikhar Verma November 6, 2022
Review Hawa (2022) Review: An Ungainly, Unfocused Jumble Of The Wild And Tepid Debanjan Dhar November 1, 2022
Review A Chance Encounter (2022) Review – A Meandering Rivulet Of Melodies And Verses Zeus Ghosh November 1, 2022