Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 10, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 29, 2025
Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 29, 2025
Featured · ReviewCome See Me in the Good Light (2025) Documentary Review: The soul-crushing numbness of existence explored through a disarming candidnessNovember 11, 2025 Akash Deshpande
Featured · ReviewBull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay HangoverNovember 11, 2025 Akash Deshpande
Featured · ReviewBaby Driver (2017) Movie Review: Style Overwhelms and Enhances a Mostly Homage-Heavy SubstanceNovember 10, 2025 Amartya Acharya
Come See Me in the Good Light (2025) Documentary Review: The soul-crushing numbness of existence explored through a disarming candidness
Bull Run (2025) Movie Review: A Derivative and Vapid Financial Comedy that Suffers From a Heavy Dose of Adam McKay Hangover
Songs of Forgotten Trees (2025) Movie Review: The Hollow Echoes of Female Friendships, Spaces, Childhoods, and Desires.
Review An Action Hero (2022) Review: A Hero the Nation Needed, Albeit Not More Than Bollywood Itself Aryan Vyas February 27, 2023
Review Strange World (2022) Review: Disney Takes a Fantastic Voyage Through a Basic Story Matt Geiger December 16, 2022
Netflix · Review · Streaming Now Glass Onion: A Knives Out Mystery (2022) Review: A Blunter Instrument Than Knives Out, For Better or Worse Matt Geiger November 30, 2022
Review Bhediya (2022) Review: The Impending Ecological Catastrophe Masquerading as a Killer in the Jungle Aryan Vyas November 29, 2022
Review The Fabelmans (2022) Review: Spielberg Weaves His Most Uplifting Film From Heart-Breaking Memory Matt Geiger August 17, 2025
Review The Menu (2022) Review: A Gourmet Satire That’s Baked Until Golden Matt Geiger November 20, 2022
Film Festivals · Review Pelican [2022] ‘PÖFF’ Review – An Incredible Dryly Humorous Identity Crisis Drama Arun Kumar November 20, 2022
Disney+ · Review · Streaming Now Disenchanted (2022) Review – Amy Adams still enchants in this inferior sequel we wish to unwish Anju Devadas November 19, 2022
![Pelican [2022] ‘PÖFF’ Review – An Incredible Dryly Humorous Identity Crisis Drama](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/11/Pelican-2022-768x432.jpeg)
High On Films
