Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · IFFI · Review Pescador (2025) ‘IFFI’ Movie Review: A Meditative and Magical Tale Set on the Coasts and Jungles of Costa Rica Shivam Pota December 13, 2025December 16, 2025
Film Festivals · Review Flophouse America (2025) ‘DOC NYC’ Documentary Review: An Unfiltered Visceral Look into America’s Housing Crisis Akash Deshpande December 6, 2025December 17, 2025
Film Festivals · Review My Mother’s Wedding (2023) ‘WIFF’ Movie Review: A Great Actress Makes an Enjoyable Directorial Debut Andrew Kidd November 30, 2025December 1, 2025
Featured · Film Festivals · Review Arrest the Midwife (2025) ‘DOC NYC’ Documentary Review: A Critical but Moving Illustration of Present-Day Threats to Reproductive Rights Akash Deshpande November 28, 2025December 1, 2025
Featured · Film Festivals · IFFI · Review Atropia (2025) ‘IFFI’ Movie Review: A Sharp Premise Undone by a Wandering Narrative Utsha Sarkar November 24, 2025November 25, 2025
Featured · Film Festivals · IFFI · Review Woman and Child (2025) ‘IFFI’ Movie Review: A Mother’s Love and Anguish Over Lost Child and Navigating Pain Utsha Sarkar November 24, 2025November 25, 2025
Featured · ReviewThe Piano Accident (2025) Movie Review: A Razor-Sharp Satire about Fame in the Age of Social MediaDecember 21, 2025 Akash Deshpande
Featured · ReviewThe Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological CrisesDecember 21, 2025 Akash Deshpande
Featured · ReviewAvatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative BankruptcyDecember 19, 2025 Julian Malandruccolo
The Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological Crises
Avatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative Bankruptcy
Review This is not a War Story [2021] Review: A devastating yet knobbly look at PTSD Shikhar Verma March 29, 2021
Review General Idi Amin Dada: A Self Portrait [1974] Review – A Strangely Funny and Disquieting Look at a Sociopathic Ruler Arun Kumar March 29, 2021
Films This Week · Review Zack Snyder’s Justice League (2021) Review: A Grand & Glorious Epic Sumit Singh July 22, 2024
Great Films · Review Le Samourai [1967] – Style over substance is not always bad, if you focus on the details Amartya Acharya March 25, 2021
Berlinale · Film Festivals · Review The White Fortress [2021]: ‘Berlinale’ Review – An Entertaining Love Story with a Horrifying Core Shashwat Sisodiya March 24, 2021
Film Festivals · Review · SXSW Women is Losers [2021]: ‘SXSW’ Review – 60s set feminist fable suffers from a heavy-handed approach Shikhar Verma March 31, 2021
Film Festivals · Review · SXSW See You Then [2021]: ‘SXSW’ Review – Oblique Queer drama stumbles to a finish Shikhar Verma March 23, 2021
Review Sandeep Aur Pinky Faraar (2021) Movie Review: A Clever Thriller of Dual Motive Ashwani Kumar June 20, 2024
Review July Rain [1967] Review – An Engrossing Study of Society and Youth in Flux Arun Kumar March 20, 2021
![This is not a War Story [2021] Review: A devastating yet knobbly look at PTSD](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/This-is-not-a-war-story-1-highonfilms-768x432.jpg)
![General Idi Amin Dada: A Self Portrait [1974] Review – A Strangely Funny and Disquieting Look at a Sociopathic Ruler](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/General-Idi-Amin-Dada-1974-768x432.jpg)
![Le Samourai [1967] – Style over substance is not always bad, if you focus on the details](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Le-Samourai-1-highonfilms-768x432.png)
![The White Fortress [2021]: ‘Berlinale’ Review – An Entertaining Love Story with a Horrifying Core](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/The-White-Fortress-1-highonfilms-768x528.jpg)
![Women is Losers [2021]: ‘SXSW’ Review – 60s set feminist fable suffers from a heavy-handed approach](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Women-is-Losers-1-highonfilms-768x433.jpg)
![See You Then [2021]: ‘SXSW’ Review – Oblique Queer drama stumbles to a finish](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/See-You-Then-1-highonfilms-768x512.jpg)
![July Rain [1967] Review – An Engrossing Study of Society and Youth in Flux](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/July-Rain-1967-1-768x564.jpg)
High On Films
