From DDLJ to Rab Ne: How Aditya Chopra Created & Dismantled The On-Screen Persona of SRK’s Raj
How Aditya Chopra Created & Dismantled The On-Screen Persona of SRK’s Raj: Ever since the opening of the Indian economy…
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The Romantics (2023) Docuseries Review – A Love Letter to the King of Romance Movies and a Surprisingly Candid Victory Lap for a Film Studio
Any viewer cynical enough would look at The Romantics and wonder about the docuseries being a vanity project. It won’t…
Desperately Seeking Shah Rukh Khan on The Big Screen
I risk losing a few readers in the very first paragraph, yet it won’t stop me from dishing out a…
Raajahyogam (2022) Movie Review: Comedy Masala With A Potential
Ram Ganpati’s Raajahyogam (2022) begins with the father and brother of Aishwarya (Bismi Naas) discussing how Goddess Bala Tripura has…
‘Fursat’: Make time for Vishal Bharadwaj’s audacious musical entirely shot on iPhone 14 Pro
The history of Bollywood and musicals is old as time. Apart from Sanjay Leela Bhansali, very few auteurs of Hindi…
‘RRR’ Star Ram Charan Talks About Mission: Impossible, Marvel & the American Filmmaker He Wants to Work with
‘RRR’ Star Ram Charan speaks to ‘The Hollywood Reporter’: The craze around the SS Rajamouli-directed and stupendously mounted action epic…
Faraaz (2023) Review: A Convincing Film on Terrorist Violence with an Unwanted Tail of Sentimentalism
Hansal Mehta’s latest feature, Faraaz, takes us into the night of violence that is believed to be one of the…
On Female Violence in Thelma and Louise
On a wintry day in Southern America, my phone beeped with a notification. A decade-old friend who had been incommunicado…
Gandhi Godse – Ek Yudh (2023) Movie Review: A Fascinating Concept Watered Down Into a Polemical Drama With Sheer Lack of Profundity
Gandhi Godse – Ek Yudh (2023) Movie Review: On 30 January 1948, Mahatma Gandhi’s murder at the hands of a…