Alejandro Gonzalez Inarritu’s ravishingly wild, survival movie “The Revenant” (2015) opens with a shot of a steadily flowing stream, whose currents are disturbed by the steps of men carrying guns. A man chooses his target and the gun sound reverberates through the forest, signaling the impending sense of doom that waits for all the frontiersmen. Arrows whiz past in & out of the frames, making contact with the human flesh; faces are bludgeoned; musket fire pulls down archers from the tree tops. Without employing the use of 3-D, these visuals just drop us in, diffusing the nauseating feeling