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Our Little Sister [2015] Review: A Marvelous Addition to Kore-eda’s Brand of Humanist Cinema

Our Little Sister [2015] Review: A Marvelous Addition to Kore-eda’s Brand of Humanist Cinema

ByArun Kumar

The Japanese master of modern family dramas, Hirokazu Kore-eda, in the past two decades has created a body of work that gracefully and subtly explores the fascinating private worlds of emotionally vulnerable individuals. Since Kore-eda fleshes out his emotionally complex characters without employing high-strung drama, his works may disappoint those expecting neatly aligned conflicts and respective resolutions.

The 20 Best Non-English Films of 2015

The 20 Best Non-English Films of 2015

ByNafees Ahmed

2015 has been a great year for film junkies, specially for foreign films. Hollywood kept on churning sequels, super-hero films, and midst of commercial films they made few sensible films too . Though Indie films are saving grace for Hollywood, it is Foreign films that I dig the most. They seldom disappoint you. They have variety of films dealing with social, cultural, and political aspects of their native country. It is tad difficult to pick only 20 best Non-English Films from around 100 + Non English films I have seen in 2015. Time has come to buy DVDs and update your watch-list if you are fan of cinema in general. Here is the list of “The 20 Best Non-English Films – 2015”.

Taxi [2015]: An Awe-Inspiring Iranian Minimalist Cinema

Taxi [2015]: An Awe-Inspiring Iranian Minimalist Cinema

ByArun Kumar

Taxi isn’t just a proclamation of Panahi’s boldness and defiance; it is also a nicely coiled allegory and a biting satire on the limitations imposed on him as well as on many fellow Iranians. While “This is Not a Film” (2011) was diffused with an atmosphere of despair and “Closed Curtain” (2013) laced with righteous anger, “Taxi” is enlivened with bursts of optimism and sarcasm (Panahi even smiles a lot in the film).

The Big Lebowski (1998) Review: The Dude
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The Big Lebowski (1998) Review: The Dude

ByNafees Ahmed

If Dudeism was a religion, Lebowski would be the GOD dictating rules to the disciples. The term “Dude” has gained such a cult status that Twitterati mourned the fact that Jeff Bridges didn’t start his 2010 Best Actor Oscar acceptance speech with, “The Dude Abides.” The gravity of the emblematic ‘Dudeism’ can only be further testified by the fact that it inspired a novel, The Dude Abides: The Gospel According to the Coen Brothers, by Cathleen Falsani.