Article · Essay Wheel Of Fortune and Fantasy [2021] – A Complex Dish of Desire, Identity & Self-exploration served piping hot Pranjal Singh March 4, 2022
Berlinale · Film Festivals · Review Geographies of Solitude [2022]: ‘Berlinale’ Review – A visually stunning documentary on a solo woman living on an island Santanu Das February 20, 2022
Berlinale · Film Festivals · Review The White Fortress [2021]: ‘Berlinale’ Review – An Entertaining Love Story with a Horrifying Core Shashwat Sisodiya March 24, 2021
Berlinale · Film Festivals · Review The Girl and the Spider [2021]: ‘Berlinale’ Review – A powerfully choreographed exploration of alienation Shikhar Verma March 10, 2021
Berlinale · Film Festivals · Review Come Here [2021]: ‘Berlinale’ Review – Vague Thai diversion explores cinema that denies a definition Shikhar Verma March 9, 2021
Berlinale · Film Festivals · Review The Fam [2021]: ‘Berlinale’ Review – A mercurial coming-of-age portrait of a group of teenage girls at a care facility Santanu Das March 7, 2021
Berlinale · Film Festivals · Review Drift Away [2021]: ‘Berlinale’ Review – Unfocused Police drama explores male identity Shikhar Verma March 5, 2021
Berlinale · Film Festivals · Review Bloodsuckers [2021]: ‘Berlinale’ Review – Marxist Vampire Comedy moves from being a biting satire to a sluggish tryst Shikhar Verma March 5, 2021
Berlinale · Film Festivals · Review Uppercase Print [2020] ‘Berlin’ Review – A Frustratingly Overlong yet a Significant Account of State Oppression Arun Kumar February 24, 2020
![Wheel Of Fortune and Fantasy [2021] – A Complex Dish of Desire, Identity & Self-exploration served piping hot](https://www.highonfilms.com/wp-content/uploads/2022/03/Wheel-Of-Fortune-and-Fantasy-Part-2-768x432.jpg)
![Geographies of Solitude [2022]: ‘Berlinale’ Review – A visually stunning documentary on a solo woman living on an island](https://www.highonfilms.com/wp-content/uploads/2022/02/Geographies_of_Solitude_YoungZoe-768x465.jpg)
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![The Girl and the Spider [2021]: ‘Berlinale’ Review – A powerfully choreographed exploration of alienation](https://www.highonfilms.com/wp-content/uploads/2021/03/The-Girl-and-the-Spider-1-highonfilms-768x463.jpg)
![Come Here [2021]: ‘Berlinale’ Review – Vague Thai diversion explores cinema that denies a definition](https://www.highonfilms.com/wp-content/uploads/2021/03/Come-Here-1-highonfims-768x576.jpg)
![The Fam [2021]: ‘Berlinale’ Review – A mercurial coming-of-age portrait of a group of teenage girls at a care facility](https://www.highonfilms.com/wp-content/uploads/2021/03/The-Fam-1-highonfilms-768x402.jpg)
![Drift Away [2021]: ‘Berlinale’ Review – Unfocused Police drama explores male identity](https://www.highonfilms.com/wp-content/uploads/2021/03/Drift-Away-Albatros-highonfilms-768x432.jpg)
![Bloodsuckers [2021]: ‘Berlinale’ Review – Marxist Vampire Comedy moves from being a biting satire to a sluggish tryst](https://www.highonfilms.com/wp-content/uploads/2021/03/Bloodsuckers-Berlinale-highonfilms-768x461.jpg)
![Uppercase Print [2020] ‘Berlin’ Review – A Frustratingly Overlong yet a Significant Account of State Oppression](https://www.highonfilms.com/wp-content/uploads/2020/02/Uppercase-Print-2020-768x432.jpg)