BFI London Film Festival · Film Festivals · Review The Last Black Man in San Francisco (2019) ‘BFI LFF’ Review – An Atmospheric tale of Gentrification Freddie Kay November 12, 2023
Film Festivals · MAMI · Review Sorry We Missed You [2019] ‘MAMI’ Review – Repercussions of shifting Gig-economy Nafees Ahmed February 23, 2021
Review The Farewell [2019] Review: A Comforting Cinema with a harsh tang Freddie Kay February 8, 2023
Film Festivals · Review · TIFF Jojo Rabbit [2019] ‘TIFF’ Review: Hop Along on this Journey Avneesh Mehta February 23, 2021
Film Festivals · Review · Venice Film Festival Marriage Story (2019) ‘Venice’ review – The Melancholy of Love and the chaos of Divorce through Baumbach’s Lense Arman Fatić February 23, 2021
Film Festivals · MAMI · Review The Irishman (2019): MAMI Review – Scorsese’s Return to the Crime Genre is an Epic Cinematic Experience Reubyn Coutinho July 5, 2024
Netflix · Review In the Shadow of the Moon Netflix (2019) Review: Jim Mickle’s Weakest Sumit Singh February 11, 2021
BFI London Film Festival · Film Festivals · Review Saint Maud [2019]: ‘BFI-LFF’ Review – Offers Shivers over Scares Freddie Kay February 22, 2021