Interview “Anurag Kashyap Has a Special Skill for Spotting Talents”: A Conversation with Rahul Bhat on “Kennedy” Soumalya Chatterjee March 1, 2026
Column ‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of Blood Manav March 1, 2026
Review Boong (2024) Movie Review: A Gentle Childhood Quest Shadowed by Borders, Belonging, and Unspoken Violence Kalpa Jyoti Bhuyan March 1, 2026
Film Festivals · Review · Slamdance Whisperings of the Moon (2026) ‘Slamdance’ Movie Review: A Hazy, Hypnotic, and Pensive Look Into the Fleeting Waves of Intimacy and Longing Akash Deshpande February 27, 2026
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 26, 2026
Netflix · Streaming Now · TV · TV Review Kohrra (Season 2) ‘Netflix’ Series Review: A Quiet, Unforgiving Crime Drama About Social Fatigue and Moral Decay Kabir Deb February 21, 2026
Review Agnibaan (2026) Movie Review: An Action Film that Gets Pulled in Too Many Directions Kalpa Jyoti Bhuyan February 19, 2026
Review Before You Were My Mother (2022) Documentary Review: A Gentle and Emotional Portrait of Motherhood, Memory, and What Remains Unsaid Monish Upadhyay February 19, 2026
Review O’ Romeo (2026) Movie Review: Vishal Bharadwaj’s Romantic Gangster Drama Is Less “Maqbool”, More Mani Ratnam’s “Thug Life” Amartya Acharya February 19, 2026
