Where The Road Leads (2023): ‘Slamdance’ Review – Classic coming-of-age tales usually circle around a journey characterized by loss, personal growth, and some sort of epiphanic closure at the end. One has…

Where The Road Leads (2023): ‘Slamdance’ Review – Classic coming-of-age tales usually circle around a journey characterized by loss, personal growth, and some sort of epiphanic closure at the end. One has…
“I wanted to give it the feeling of a punk song.” This was director Milos Pušić’s response when asked about how he developed the visual language for Working Class Heroes (2022). And…
Quo vadis, Aida? Review: July 1995, Bosnia. An announcement, on the speaker or radio, says that the town has “deadly shells” landing on it every second. The hospital it is announced in…
The Other Side of Everything [2017] – Examining Serbian Political History through a Lonely Voice of Sanity “If I was really winning freedom and we take a look at the country we…
“Once the soul was perfect and had wings, it could sour into haven that only creatures with wings can be. But the soul lost its wings and fell to earth where it took a earthly body, now, while it lives in this body no outward sign of wings can be seen yet the roots of its wings are still there… and we see a beautiful woman or a man, the soul remembers the beauty it used to know in haven, and begins to spout and that makes the soul want to fly but it cannot yet it is still too weak so that man keeps staring up to the sky at a young bird, he lost all interest in the world around…”