A film cannot risk itself with objective definitions when it chooses an existence that is not in isolation from the world it is a part of. At the same time, a great…

A film cannot risk itself with objective definitions when it chooses an existence that is not in isolation from the world it is a part of. At the same time, a great…
Long after a short and accurate teaser was released the makers of Taapsee Pannu and Bhumi Pednekar starrer ‘Saand Ki Aankh’ have released the full trailer. The 3 minutes 7 seconds clip…
Badla is now streaming on Netflix If your thriller ends in a person peeling their goddamn face-off, revealing to be a completely different person of a different height, body composition and timber…
Game Over is now streaming on Netflix If we think of the recent years from the Indian cinema, Game Over is one of the most cleverly-crafted films, in order to bring about…
2018 turned out to be a really bad year for Hindi Cinema. While every year features a truck-load of crap, 2018 will be especially known for celebrating mediocrity. To me, there was…
Pink raises some uncomfortable questions and truths about the world we live in. Uncomfortable because knowing or unknowingly most of us are also part of the world that’s in the wrong here. Pink leaves a deep cut on our conscience. It affects the judgement and also stares right into everyone whose notion about women is shrouded by cheap, mindless props or their own viciously unacceptable characterizations about them. Subtle and loud in equal measures, Aniruddha Roy Chatterjee’s Pink feels like a lesson on morality. But it also feels like a lesson that needs to be taught and at least, listened to.