Jawaani Jaaneman [2020] Review: A Breezy Film Smitten by its Breeziness
When there’s Saif, there is an inevitable charm. It’s a given, considering the comfort he has carved for himself playing…
Bong Joon-ho – Cinema of modest Prestige and Everlasting Regrets
‘Parasite’, a word and movie are on each one film fanatic’s mouth today. Bong Joon-ho’s latest present on capitalism, league,…
Acasa, My Home [2020]: ‘Sundance’ Review – Taming the Civil Way of Life
‘Acasa, My Home’ follows the Enaches, a Romani family marginally attached to Romania’s capital city of Bucharest comprising a couple…
The Parallax View [1974] Review – Deceptions Hidden in Plain Sight
The tense, anxious undercurrents in Alan J. Pakula’s directorial approach and the signature inky-black cinematography of Gordon Willis are the…
The 75 Most Anticipated Films of 2020
Like every other year, we dug deep (like really deep) and found out for you a series of upcoming film…
Woman at War (Kona fer í stríð) [2019] Review: Intelligent. Funny. Urgent.
Intelligent, funny & urgent, Woman at War (Kona fer í stríð) is a deceptively lighthearted yet highly riveting tale of a…
A Hidden Life [2019] Review: Terrence Malick’s Finest In Ages
After spending an entire decade experimenting with ideas & feelings in his abstract works, all of which were filmed without…
Shoeshine [1946] Review – De Sica’s Somber Classic on Social Systems of Prejudice and Oppression
Vittorio De Sica’s neorealist masterpiece, Bicycle Thieves (1948) opens in front of a freshly reconstructed government building with a crowd…