Adam [2019]: ‘IFFI’ Review – An Admirable Film about Living Within the Social Fringes
Sisterhood has lately become a topic of discussion. Be it the US ball culture from the ’80s or the way…
Point Blank [1967] Review – A Candid and Visually Inventive Post-Noir Masterpiece
UK-born film-maker John Boorman’s American debut Point Blank (1967) is one of my most favorite noir cinema made long after…
The End of the F***ing World (Season 2) Netflix Review: Tarnishes the first season
Watch The End of the F***ing World: Season 2 on Netflix “For fuck’s sake,” says Alyssa (Jessica Barden) as she…
The Stamp (2019) ’Zagreb’ Review – Peek into the harsh reality of refugee crisis
The Stamp (2019) Short Film Review: One sigh, a tired migrant lying on a bed in a refugee camp, waiting…
Ford v Ferrari [2019]: ‘TIFF’ Review – Winner All The Way
Ford v Ferrari was the longest film I watched at TIFF’19. Yet, it was the most engaging. Despite being driven…
Little Things (Season 3) Netflix Review – An important, insightful examination of love and relationship in our times
Little Things Season 3 is now streaming on Netflix There is a scene in the third of Little Things where…
Ranked: Every International Feature Film Submitted for 92nd Academy Awards 2020
This April, the Academy changed the name of their “Foreign Language Film” category to the “International Feature Film Award,” effective…
Little Fugitive [1953] Review – An Endearing Snapshot of an Age and Time
Morris Engel, Ruth Orkin, and Ray Ashley’s influential American indie movie Little Fugitive (1953) has a very thin story-line. The…