Partenonas (Parthenon)[2019]: ‘Venice’ Review – A trance-like postmodern tracing of memory
Obfuscation is an understatement when it comes to Lithuanian filmmaker and academic, Mantas Kvedaraviฤiusโ feature film Partenonas (Parthenon). Following the…
Dream Girl [2019] Review: An Eminently forgettable Dream
Hindi film comedy scene has changed a lot but never quite reinvented itself. Somewhere or the other these films appear…
A Lookback at The Unofficial Oliver Stone US Presidents Trilogy
William Oliver Stone, the American filmmaker, turns 73 years old on 15th September. Oliver Stone is a household name in…
Unbelievable Netflix (2019) Review: The Truth Will Set Us Free
Unbelievable Netflix (2019) Review: The Truth Will Set Us Free. โEven with good people, even with people that you can…
How The Face of Another (1966) Finds Its Right Audience in 2019
Rarely, you find adaptations that do justice to the authorโs vision. The Face of Another (1966) is one such exception…
Drive (2011) Movie Review: A Fully Realised Arthouse Action
An impeccably rendered & thoroughly absorbing character study that relies more on images than words to convey its themes &…
Chhichhore (2019) Review: “Chhi”chhore
I don’t know how to analyze Chhichhore. I have seldom been appalled to this degree after watching a film. This…
MAMI 2019: ‘Bombay Rose’ & ‘Aamis’ among the 10 films selected for India Gold section
MAMI 2019: Indiaโs biggest film festival for cinematic disruption and discovery has just announced its line-up for its prestigious India…