The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)
The 2020 Prithviraj- Biju Menon starrer Ayyappanum Koshiyum (2020) directed by the late K. R. Sachidhanandhan, popularly known as Sachy,…
Ozu’s Equinox Flower [1958] : The Autumn of the Patriarch
Whether Yasujiro Ozu’s final six films, all of which were shot in color, can be categorized into an entirely separate…
The Family Man (2021): Six Reasons To Watch The New Season
Led by Sacred Games, Mirzapur, and The Family Man (2021), the Indian OTT arena has flourished ever since it came…
Ajeeb Daastaans [2021] Geeli Pucchi Review: The Colors Missing In Our Rainbows
Movies are often, predominantly, shot in two colors. Of course, other colors from the color palette of a movie are…
The Parcel [2021]: ‘NYIFF’ Review- A profoundly awful Rituparna Sengupta brings this inelegant slow burn crashing down
More than halfway into the film, in a single continuous shot positioned from the car’s bonnet, the husband and wife…
Holler [2021] Review: A gritty drama about a resolute girl getting by
The mood is drab, the colors washed out, and the tone serious. It is either Gene Back’s score, or Dustin…
Kalsubai [2021]: ‘Short Film’ Review – Examining a feminist mythos
The movement and transition achieved in Yudhajit Basu’s short documentary Kalsubai occur in nimble ways. The voice of a woman…
Here’s Why ‘The Piano Teacher’ is One of The Most Disturbing Films Ever Made
Michael Haneke – A God and A provocateur Michael Haneke is either a cynical God exposing our complicity to casual…