Saina (2021) Review : A Racquet is not a Sword
Saina Nehwal’s biopic, Saina (2021), directed by Amole Gupte, was released on Amazon Prime earlier this year. The film fails…
Twilight Zone (2019) Season 1 Review: An Average Effort Compared To The Legacy Of The Original
Sophie Gelson in ‘Blurryman’ states that the idea of Twilight Zone goes beyond ‘simple campfire stories’ and ‘monsters on a…
The 50 Best Films Of 2020
2020 will be remembered as the year where we never went to the movies. Plagued by the Cornovirus threat, the…
Akaler Sandhane (1980) : A Famine within A Famine
As second wave of the virus hits us to continue this pandemic which now feels no short of a famine,…
10 Facts You Probably Didn’t Know About Parasite
Described by its creator as ‘a comedy without clowns, a tragedy without villains’, Parasite (2019) is a tale of two…
How “The 400 Blows” Deviates From Classical Conventions of Narration?
An Essay on How ‘The 400 Blows’ is an unconventional film in its narration: For the context of classical conventions…
This is My Desire [2021] Review: Two Tales from Lagos that Let Us See a Slice of Nigeria
This is My Desire (Eyimofe) Review: Three women walk into a home. A child, who is blowing bubbles, opens the…
TVF Aspirants (2021): An Overrated Saga of Overstated Adult Relationships and Dreams
Right from its premier in April 2021, the latest TVF series ‘Aspirants’ has garnered a lot of brouhaha from the…