Sanzaru [2020]: ‘Fantasia’ Review – Effective Psychological Horror caught up in flourishes
The word ‘Sanzaru’ in Japanese eludes to three wise monkeys who “see no evil, hear no evil, and speak no…
Dancing Mary [2020] ‘NYAFF’ Review – A Stale and Reckless Genre Mix
The aesthetically pleasing cinema of Sabu (aka Hiroyuki Tanaka) often offers a quirky blend of genres. When the mixture of…
Revisiting Mira Nair’s Monsoon Wedding (2001)
Mira Nair’s Monsoon Wedding debuted at Venice Film Festival on August 30, 2001, in the main competition section and went…
10 Most Underrated Hindi Movies of the Decade (2000s)
10 Most Underrated Hindi Films of the Decade 2000s: The decade of 2000s brought in a very prominent paradigm shift…
Soul [2020] ‘NYAFF’ Review – An Atmospheric Horror about Isolation
Since the elements of the horror genre have invaded our daily life in 2020 in the form of a COVID…
79 Parts [2020] Review – A familiar crime-comedy that even fails to imitate
Parts of ‘79 Parts‘ aren’t half as bad. Considering the limited budget and other things he has to deal with,…
A Mermaid in Paris (2020): ‘Fantasia’ Review – Somewhat fun but definitely all over the lace
If you are under the belief that a film has the potential to be saved under better direction then upon…
Maali (2020) Review: A Subtle Effective Drama
Maali (2020), Ashwini Malik’s nuanced, brittle film on relationships and realization rises above the trope of a regular family drama….