Neymar: The Perfect Chaos [2022] ‘Netflix’ Review: It Will Come Across as The Perfect Disappointment
Sportstars transcend sports and become celebrities, prompting the world to forge an interest in them to get to know even…
We are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienation
We are Living Things Slamdance Review: The word Alien has two distinct meanings – one, a hypothetical or fictional being…
Therapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feeble
Ethan Eng’s Therapy Dogs has a deliberate scrappy design and aesthetic to it. There are streaks of waywardness and ample…
Be Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturing
Frauke Havemann’s Be Right Back, premiering at Slamdance, is a curious, odd film. It wears its deliberate elliptical style and…
Dual [2022]: ‘Sundance’ Review – A pitch-black dark comedy where capitalism is the killer
In Riley Stearns’ world, characters talk like robots. They deliver their lines in such a perfectly muted and stoic manner,…
Sundance 2022: “Nanny,” “Emily the Criminal,” & “Honk for Jesus Save Your Soul”
The sixth round of our Sundance coverage features Nikyatu Jusu’s Nanny, John Patton Ford’s Emily the Criminal & Adamma Ebo’s Honk…
The Mission [2022] ‘Sundance’ Review – A Rewarding and Empathetic Study of Young Mormons
The Church of Jesus Christ of Latter-day Saints (LDS) – commonly referred to as the Mormon Church – has a…
All Adam McKay Movies Ranked
From his origins as a writer for Saturday Night Live, including a three-season run as head writer in the late…