Spike Lee- He’s Gotta Have It
I do hope to see more filmmakers be open about their love and hatred for their contemporaries, though still retain their class and respectfulness towards others and their achievements, even if they simply remain seated on their hands.
To Let [2019] Review – Yet another Moving Tamil Drama on the Perceived Injustices of Rapid Urbanization
Cinematographer Chezhiyan’s directorial debut To Let (2019) has had the honor of getting screened at over 100 international film festivals,…
Kia and Cosmos [2019]: ‘Glasglow Film Festival’ Review
Acknowledging the neurodiverse members of society has often been seen through the lense of ignorance and neglect. Having said that,…
JFK [1991] Review: A Riveting Account of an Interesting Conspiracy Theory
Of all the conspiracy theories circulating out there, the assassination of John F. Kennedy (JFK) is arguably the most interesting…
2019 May Be a Weird Year for Films
2019 will hopefully be like any other year in terms of quality, but it may also be an oddity given the strange and audacious existence of some of the films to be released in this last year of the first decade of the second millennium.
The Realm [2018] Review – A Brilliantly Paced Political Thriller
Manuel Lopez-Vidal, the brooding anti-hero in Rodrigo Sorogoyen’s riveting thriller The Realm (‘El Reino’, 2018), is always on the move….
The Disaster Artist [2017]: Filling the Hollow
I think its almost been an year- I remember watching a video on YouTube titled “The Room – GREATEST MOVIE…
Gully Boy [2019] Review: A coming-of-age tale that just skims the surface
There’s a beautiful sequence mid-way into Gully Boy where Murad (Ranveer) and Safeena (Alia Bhatt) have an argument for the…